200 Quilts · Creating · Quilts · Textiles & Fabric

Starry Compass Rose

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Starry Compass Rose
Quilt # 156

Starry Compass Rose EQ7 sketch

I’d like to tell you the background about how I went to Quilt Market.  I was contacted by Paintbrush Studios in November of 2015 to see if I would design and make a quilt for them using their Painter’s Palette line of solids.  At first I was like, who is this? but soon got to corresponding with Anne, a delightful woman with a great sense of humor.  She turned me over to Deena in the design department, and I sent over a rough sketch.  Then another.  We soon had several renditions flying back and forth over email, which meant not only did I have to design a quilt for them, and sew it, but I also had to learn how to express myself in EQ7 (cue: grimace).  I learned it “enough” and produced the sketch you see above.StarryCompassRose_booth3

Of course, all this is stuff I couldn’t mention on the blog, but I worked on this steadily from late November until mid-February when I sent off to them a quilt top, binding, backing and a label.  Someone else would quilt it.StarryCompassRose_booth1

As a thank-you for this experience, I made them Focus, a small quilt to hang in their booth at QuiltCon. While at QuiltCon, I screwed up my nerve to ask Sue and Deena if I could get a pass to see the quilt at market, and they arranged it.StarryCompassRose_quilting5 StarryCompassRose_quilting4 StarryCompassRose_quilting3

But I was most interested in seeing my quilt, all quilted up by Denise Marieno, at Quilt Market.  I was sad to see it go in February, but ecstatic to see it now, hanging in the Painter’s Palette booth.  I checked on the progress several times on Thursday as they set up their booth, watching as they moved it from an inner spot, to an outer spot.  They were very happy with the result, as was I.  Denise did a terrific job of quilting it.StarryCompassRose_quilting2 StarryCompassRose_quilting1 StarryCompassRose_booth2 StarryCompassRose_label

So now it’s gone, and who knows when I’ll see it again, but oh, what a high! to see it at market.  I hope I can work with them again sometime, as I thoroughly enjoyed the process and the people at this company.

I’ve spent my life in unheralded endeavors: a young bride having babies, a mother at home, a student, an adjunct professor, but no one praises your skill at loading a dishwasher, managing a complicated carpool schedule, or compliments you on the nice comments you leave on student papers.  So to come into Quilt Market and to see my quilt hanging there as a professional quilt designer was an experience I won’t soon forget.  It was like someone patted me on the head and said “You did great,” that my skills were recognized, instead of just giving service or being a cog in what passes for Higher Ed these days.  I certainly don’t regret being a mother-at-home, nor of my years of teaching.  I don’t regret being an older student, trying to fit in with the 20-somethings who were writing edgy short stories that included drugs and sex, while all I could come up with is little stories of mothers and fathers and families that somehow always included a quilt somewhere.

But to round that corner that first morning and see this quilt?
Oh, so satisfying.

tiny nine patches

Next post: Day One of Market, going to Schoolhouse, a Tumble, and a Giveaway

Quilts

Not $ewing in Geneva

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I know what you are thinking: what? more traveling?  Well, my husband Dave is a scientist who studies genetic toxicology and was asked by the World Health Organization to come and work on a committee to discuss some chemicals and they would pay his way.  And I could go and stay for free, and fly using frequent flier miles, so why not?  I thought it would be like Lisbon, where I’d find cute shops selling fun sewing stuff, and when we walked by Mercerie Catherine B (above) on Saturday afternoon, I could hardly wait to go back and explore.GenevaSewing4

First, we had Mother’s Day and when we went to church, they handed out roses and pieces of chocolate to all the Moms.  Score!  That was sweet, even if everything they said was in French.GenevaSewing5

And we had to go and see one of the two tourist attractions in Geneva.  Which I did. . . multiple times.GenevaSewing6

I did scout out a few textile shops.  This one was right across from the Manor department store, but because Geneva is a waaaaay pricey city, I chose not to drop my Swiss francs in that shop.GenevaSewing7

Instead, I thought this a better investment, until I could back to Catherine’s, which was closed until Tuesday (4-day weekend).GenevaSewing8I went out to this place, which was a long tram ride out of the center.GenevaSewing8a GenevaSewing9

Yes, that is five bucks for a fat-meter of outdated material.  The Liberty cottons were 35 bucks a meter.GenevaSewing10

And regular quilting cottons were around 20 dollars a meter (the franc is nearly equivalent to a dollar this year).GenevaSewing11

The Manor Dept. Store (my home away from home, because I ate there a lot–picking up sandwiches and meals in their food hall. . . and why doesn’t America have food halls?) had this array of fat meters.  I didn’t check the prices on them.GenevaSewing12

While standing admiring this display of bias tape and ribbons — wound neatly onto cards and not tucked behind cellophane wrappers — I met Roxanne, another quilter, and we had a great discussion.  Quilters, the world over, speak the same language.  She said most of the quilters she knew in Switzerland ordered their fabrics online.GenevaSewing13

I did have fun noticing the European-style fashions in the windows.  I think style this would make a great dress for summer.GenevaSewing14

Check out the knees of this pair of jeans–little kitty faces!
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So back to my story.  When Catherine’s opened up, I went up there, expecting to buy something, but everything was incredibly expensive.  GenevaSewing16

I did find this small needle minder that I loved, but they were out of the matryoshka kit.  Good thing, because the house kit was 65 dollars for a square of linen, a pattern and the threads.  Yes.  SIXTY-FIVE. GenevaSewing17

I took a photo of the pattern company who designed that matryoshka kit: Un Chat dans l’aiguille and had fun looking around their website, following some links, which led to more links, and which led me to discover that I’d been doing some of my tried-and-true stitches incorrectly, proving there is always more to learn, at any age.  Here’s a link to some of my favorite series of videos in French, and even though it’s not a language I speak, the videos say it all.  And some great English videos by Mary Corbet are here.  So I left that day empty-handed, but full of admiration for the traditional embroideries found in Europe.GenevaSewing18

I even went back another day, when I bought half-meters of three different Christmasy looking braids, which I’ll put on the back with my label of the Oh Christmas Quilt (more motivation to finish it!).  I still couldn’t bring myself to buy much more than that.  And I just looked and admired and loved everything I saw.

I peeked in on the class they were holding, and every woman in there had a portable light, a stand with a hoop for her embroidery and an attached magnifying glass for working those teeny counted cross stitches over fine linen.  It really was quite inspiring, and made me think of ways to incorporate more hand stitching into quilting designs.  I have a few ideas and will let them percolate, as is my usual after taking in the sights and colors of different places.GenevaSewing19

But check out what I saw at the flea market on Saturday, the last day before we came home: a Bernina sewing machine.  It ran, of course, on 220 voltage and besides that my luggage was already full, but wouldn’t that have been a great souvenir!

Halloween QAL · Quilts

Hallowe’en 1904 QAL–Step Four

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It’s the WONKY STARS step!

If you are appliquéing your stars onto your smaller background blocks, go for it and we’ll see you next month.  For the rest of you, even those not making this quilt, I’ll walk you through a stack and slash version of a star, pioneered by Thelma of Cupcakes and Daisies.

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You’ve seen this before; this is an image I found on the web some time ago of the quilt we are making, Hallowe’en 1904 by Blackbird Designs.  Yes, we are again hard at it for the Hallowe’en 1904 Quilt-A-Long.  All of four of us will have quilts ready for Halloween, so I’m excited about that prospect. Well, maybe it’s more than four of you out there in the Internets, but at least two of us — Leisa and I — will be among those finished in time for that fall celebration.

Again, Leisa and I are making NINE blocks, down from the original twelve in the pattern.  I posted a version of smaller quilt *here,* using all twelve blocks and formulated by Mary Burton.  But we’re doing nine, with four appliqué and five star blocks.

A recap of last month’s sewing:

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Yes, all four are done, even the one with the weird-o leaf.  It’s staying put for now.

touching up stitching

Here’s my tip for touching up those stray bobbin threads that work their way up if you are doing satin stitch: get out a Sharpie marker in the color of your thread and color it in.  I also use it for errant free-motion-quilting oopsies.

And this time, we’re heading right into How to Make A Wonky Star.  If you want to go the traditional route, of cutting and appliquéing your stars down to your background, go ahead and get going, and we’ll see you next time, on June 13th.  Anyone else who wants to learn this technique, stick around.

crazy nine patch block

(from here)

It’s not a new technique as we used to use it to make things like nine-patch blocks: stack up a bunch of fabrics, cut, swap out the fabrics and sew.  I also found a version of this stack-and-slash used in a star block, and the copyright on the page says it’s from 2000-2005. And Bethany Reynolds is credited with the first national use of the technique known as Stack-N-Whack.  I tell you all of this to say there is nothing new under the sun, especially in quilting, but only new turns at an old technique or form or idea.

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We’ll get this far this month, but will do five of these blocks, saving the points around the outside for next month (although you are free to move forward if you want).

Get out your strips of fabrics, cut according to the chart.

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Different versions of the Stack & Slash Star pattern. I drafted and revised this star block multiple times, trying to get the proportions of the Stack & Slash pattern correct. For this reason, please print off only enough for your own use.  Please don’t print off enough for your mother or your girlfriend; send them here to get their own.  

Print off two: one to use for a template for your star patterns, and one to use as a map for when you are piecing.

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You’ll notice on the pattern that there are lots of little diamonds and slashes.  (These are your notches to help you get the thing back together.  It doesn’t matter if you use mine, or make up some marking system of your own, but please do this!)  Lay some clear template plastic over the pattern and trace.  Looks like mine got reversed somehow, but really it just doesn’t matter one way or the other.  Now pay attention to what is the center of the star (A1, B1, B2 and C1) and what is the background (all the rest).

Working with a single layer of fabric (yes, you can stack them up, but don’t put the fabrics back-to-back unless you want to have some “regular” stars and some “reversed” stars.  It will drive you a bit crazy, but it’s do-able, in case you forgot), lay out the background templates. (See example below)

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If you do the usual cut of WOF, you’ll have part of the fabric facing you and part of it will be facing down to the cutting table, because of that fold.  Unfold it before cutting and you’ll avoid this problem.  I just had to go back in and cut some parts “backwards” and I made enough for a star or two.  So  you’ll notice that some of my stars are wonky to the left, and some are wonky to the right.  It just doesn’t matter.  Really.

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Cut around them.

Start stacking up your pieces underneath the templates as you cut them

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VERY IMPORTANT:  To get the appropriate amount of wonkiness, you’ll need at least FIVE different background fabrics, because there are 5 different pieces to the background.  If you want to have the star pieces all different, you’ll need FOUR different star fabrics, because there are 4 different pieces to the star. But so you don’t lose your marbles in construction, cut FIVE different background fabrics and FIVE different star fabrics.

You’ll need to do some shuffling as you sew.

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This is the “map” of the Stack-and-Slash Star (another printed copy) so I could use it as a way to keep all the pieces straight.  Here you see five different star fabrics.

I cut, then laid out the five different background fabrics, too.

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First we’ll do the BACKGROUND fabrics.  Leave the star fabrics along.

1–Leave background stack A3 (upper left in this photo) alone.  Starting with stack A2 (upper right), take the top fabric and move it to the bottom of the stack. Now move around the star in a clockwise fashion (or refer to the photo to the left which has the pieces listed).

2–Take C2: Take the top TWO fabrics and move them to the bottom.

3–C3: Take the top THREE fabrics and move them to the bottom.

4–B3: Take the top FOUR fabrics and move them to the bottom.

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All the backgrounds have been switched, but the star’s pieces are still in the same order.  Now we’ll do the STAR fabrics:

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1–Referring the map above, start with A1 (leave it untouched).
2–B1: Take the top fabric and move it to the bottom.
3–C1: Take the top TWO fabrics and move them to the bottom of that stack.  Now keep reading.

4–Since you have FOUR star pieces, you’ll need to do some switch the the top FOUR fabrics on the piece B2, and move them to the bottom of the stack.  I don’t know why, and no, this isn’t the Gospel Truth, and yes, I could have said it wrong, but that’s what I did to get them all different.  This way, when you sew that last star (star #5), you won’t have two the same on the last one.  If you do it differently, please let us know in the comments.

If this is all too confusing, on YouTube there are multiple videos — just type “stack and slash,” or “stack and whack.”  If you have a lot of time, *this* one is in four parts, but it’s very thorough.

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Now we start sewing them together.  Sew the A parts together.
Sew B2 and B3 together, then sew them to B1
Sew the C parts together.

Above I show how I’m sewing them in parts, always replacing them back on my “map.”

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Some sections need straightening up before I sew the next seam.  If they are too out of whack, just even them out.

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Now all the B-pieces are sewn together.

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Sew them to the C-pieces.

I evened out that edge.  Notice that monster dog ear at the top right.  Don’t even worry about it–just slice it off.

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Join the sections together, pressing the seams to one side.  All the outside edges are skitty-wampus, but it’s all sewn!

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Now it’s time to even them up to our Gold Standard Measurement of 5 1/2″.  Find the A1 piece and put that in the upper angle corner and then monkey your ruler around until you have a nice mostly-even space around all the start points.

I put tape on the 5 1/2″ mark so I could frame it up better.  Now you see better how I laid it on the wonky star.  Repeat this over and over.  You can cut and sew a bunch and it goes much faster, but have chocolate at the ready.

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Add on your outside large triangles, varying them from orange to black, as are your star points.  We’ll save the outside HSTs for next month.  So, get busy making wonky stars and we’ll see you on June 13th!

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Here’s our schedule:

Step 1 (Preparation): February 13,  2016–buy all the fabrics and find the pattern.  Buy your pattern from The Primitive Gatherings Online.  Link is *here.* The quilt measures 90 by 90, which is too large for me, so I’m only doing nine blocks.  Each block is 20″ square, and with the outer borders, that should come to roughly  65″ square.  I may change my mind, but this looks good from here.

Step 2: March 13,  2016–Cut out the quilt: the tan backgrounds of the squares, the border triangles, the smaller half-square triangles, strips for the wonky stars, but save the piano key border for later.

Step 3: April 13, 2016–Assemble four blocks and add large appliques; use Thelma’s method (of Cupcakes and Daisies) for adding the curlicue stem. Make and add half-square triangeles (HSTs) around these blocks, using the 8-at-a-time method of HSTs.

Step 4: May 13,  2016–Cut and make the wonky star blocks from templates and strips.  I’m doing five blocks, so will need to make twenty wonky stars and true them up.  Add on the large outside triangles.

Step 5: June 13, 2016–Assemble the rest of the star blocks, by adding their HST borders. In the pattern, they are mixed up and varied, but also harmonized (some have a mix of orange and black, some have just black, some have just orange.)  Make your own rules and go with it.

Step6: July 13, 2016–Arrange the blocks on your design wall and stitch together.  Cut the pieces for your borders.  Make the four corner pinwheels.

Step 7: August 13, 2016–Sew borders together and attach them to the quilt.

200 Quilts · Quilt Patterns · Quilts

Spectrum: A Colorwheel Quilt

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Spectrum: A Colorwheel Quilt
Quilt No. 153

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You’ve seen this beauty before, as I’ve been working on it steadily since last summer.  Since this summer is about to arrive, I thought I should finish it up and get it up in my shops at Craftsy and PayHip (for EU quilters), in case anyone wants a colorful wheel of color on their sewing studio wall. Spectrum_detail

It’s also great for quilt swaps, or special gifts.  I started on mine for a swap, but soon realized I wasn’t going to finish it in time, so made for her instead another colorful creation of mine, Colorwheel Blossom.  (It was a colorful Kaffe Fasset fabric swap.)  But then I had two quilts, so I gifted one to someone who loves and uses Kaffe Fasset fabrics, keeping one for myself. Stack of colorful quilts

Before I sent my swap quilts off, I took them outside for some photos, and love this stack of fun (colorful?) quilts, a prism of quilty delights.

The pattern has templates for English Paper Piecing, if you like to do that sort of thing (I do!) and full instructions for how to put your quilt together.  While the color wheel is 16″ in diameter, the quilt can measure up to 18,” depending on the size of your background.  It is stunning made up in Kaffe Fassett fabrics, and I’m teaching it that way this Spring in classes at my local quilt shop.  Enjoy!