Clothing · Free Download

The Dress Does not Make the Quilter

Well, actually Rabelais said “The dress does not make the monk,” but since I’m not a monk like Rabelais — although I do sit monk-like day after day at the sewing machine — I prefer my variation for the title of this post.

There comes a day when an occasion arrives and even though Thoreau cautioned us to “Beware of all enterprises that require new clothes,” it was time for a new dress for a granddaughter’s wedding, even though I’m aware that I’ll be mostly on the sidelines as this newer generation Does Things Differently so I need to get with it and adjust. But still, maybe it’s that I wanted a new dress? And that my sister had been making a lot of outfits from Merchant and Mills patterns and I Wanted In On The Fun.

The Beautiful Bride, from her IG account. Her mother is a photographer, so they snapped the bridal portraits early.

IDK how you feel about me sliding a dress post into a quilting blog, but this is what I’ve been doing with my sewing machine and time. The idea was to make a wearable toile out of each of the three patterns I was auditioning. Which meant that the dresses made from the flat folds picked up for cheep at M & L fabric shop probably wouldn’t fit me as well as I would want them to, which is why I’m not modeling them in this post. I also remember why I leapt over to quilting long ago: The Fitting Question. I remember at age 20 feeling like I was as large as a barn. And at 30, I thought I was zaftig. Oh, honey, I now want to say. You looked fabulous. The problem is that I was trained to sew on that 20/30-yo person, and now this person (some years down the road) is not who I know how to sew for. But I’m trying.

Dress Number One

I need to take out most of the extra ease I put in, but I wore it out anyway, along with beads from a quilt show. Jewelry rights a lot of wrongs.

Dress Number Two

Again, I put too much ease into this wearable toile (again, struggling with fit), and if I choose this one to make for the wedding, I’ll make it more like the pattern. I got all my patterns from Hart’s Fabrics in Santa Cruz, California and they came lickety-split, especially considering that Merchant and Mills patterns are from England.

In five years of owning my sewing machine, purchased in December 2020, I’d never used my buttonholer. I had to watch a video online to figure out how, but it worked like a charm the other night.

Dress Number Three

I’m still in the middle of Dress #3. It’s a Simplicity pattern I’ve had forever, and is a plain-Jane shirtwaist dress. I found two lengths of this blue-and-white fabric in my stash. Guess I forgot and ordered it twice, but it came in handy when I needed to make one more wearable toile. I’ve re-cut the sleeve piece twice; I like my sleeves a little longer — like to my elbow — but we’ll see how this turns out.

Pockets

I don’t know about you, but to me a good pocket is mandatory. I traced off an old pattern to make myself a basic pocket pattern, and here it is for a Free Download:

It basically looks like what’s in the photo, above. I used fat quarter-inch seam allowance on the outside edge, but you can cut it larger, if you want.

For placement on your dress, when holding up the main section of your pattern to your body, bend your elbow and figure out where you’d like your hand to slide in. Think also about where the bottom edge will be; you don’t want to be reaching down to get the car keys out of your pocket. Then mark that.

I sew the pocket onto the side of the dress in a 1/4-inch seam, press to the pocket, then serge that section only. After pinning the side seams/pockets together sew about 1″ below the top edge of the pocket piece, then all the way around the pocket, then to a point on the seamline and then down the seam to the hem. Like this:

Serge or zig-zag the raw edge. Or as Merchant and Mills patterns say, “Tidy up the edge.”

You can also stabilize the pocket by sewing it into a waist seam. To adjust for that, grab a pencil, like the one from your Dad’s art box, and draw a curvy line upward. Try to make it match your waist seamline. This is the cheesy way. Watch the following Video (That May Confuse You or Help You) to see it done more professionally than just a pencil line: How to sew a waist-anchored pocket (this also helps you draft your own)

What else?

Whichever one I think will work best will get sewn up into a light blue linen print I’ve been hoarding for a couple of years. Then I think I’ll sew a skirt or two when I return. I’ve seriously neglected my wardrobe the last few years, and I generally hate all clothes in the stores. (Or maybe it’s just trying them on that I hate.) Thankfully my sister is cheering me on, and my husband is an angel and has learned to say nice things about my wearable toiles, such as “You’ve never looked better,” and tries not to choke as he delivers his scripted lines.

I’m skipping my A Quilting Life QAL update post this month, mainly because I haven’t yet worked on it. I’ll just do both July and August together, after I return from the wedding of this lovely grandchild #3. And then I’ll launch back into some of my Economy Block sewing, too, as well as some quilting on the New York Beauties. Oh! and seaming together my Posh Penelope. August will be busy!

It’s heating up here…enjoy your July–

Reforming a pocket to get anchored at the waist, from In The Folds

Design Your Own In-Seam Pockets

Professor Pincushion Talks You Through Adding a Pocket

Bernadette shows you the same thing, but also how to figure out where to put the pocket

300 and Beyond · Free Download · Quilts

Happy 50 Years!

First, a continuation of a story. Remember this quilt? And how when I went to find the binding, I couldn’t…and then a friend wrote to say, “Oh, you sent me that fabric!”

Then that friend, Mary of Zippy Quilts, performed her usual magic and using that fabric and my Criss-Cross pattern, made this up in no time. Or at least it seems like that. And then, she didn’t have enough for an outside border, but went with what she had in her stash. She wrote it up on her blog, Zippy Quilts, which is always worth reading.

While clearing/cleaning out in another spot, I found this bag of –yes– cut binding for that quilt. But now all that fabric is really gone — to a good home in the guild grab bag. So that’s the end of that story.

Here’s my version of Criss-Cross Color, done all in richly colored solids. One of my children now has this quilt, and I hope it gets lots of use.

In keeping with my discovering more and more WIPs from Days Gone Past, I found seven selvage blocks (mentioned in an earlier post). And since I’m playing the News Avoidance-Call Your Congressman game, I figured it was as good a time as any to finish up this stray project.

Since the universe served me up this quote (which is unverified at this point) I knew what had to be done: write up a free tipsheet on how make these blocks, just in case you might want to sew some up. Keep reading for my final thoughts on this (at the end).

Click below to download the file:

(Don’t click on the illustration—>)

So I had seven, but made two more in the last few days, so here are all nine. I keep wondering about that white in the middle, but I’m in the business of rehoming my orphan blocks, not creating more. It will stay white.

What kept me going in ripping out all those papers:
I’m now going through the fourth book of Osman’s and have the fifth one in my wish list, but it’s not going to be released until September. I think you can also get them through public libraries, too.

Basic Tips for Selvage Blocks

(Tips are also in the free download, above, but here’s some different photos)

The triangles are cut and pinned, and now I’m ready to add my first round of selvages. I check to make sure I’m overlapping at least a 1/4″ and then sew it down, keeping my needle about 1/8″ from the edge.

Since I have a range of blues ready to go, I add more. On the upper left, I pieced the selvage so the pears would end up next to the words. It’s not the most perfect piecing job, but the bright side is that it allows you to see that I did piece it. I do try and arrange the markings (words and designs) when I’m cutting and arranging the strips, so they don’t get cut off. And in the last photo, I’m happy that the bright blue will run around the very center of the block (more on that in the Tip Sheet).

In the top left (I assume you are reading this on a desktop, but if you aren’t, it’s probably the first photo in this group if you are reading on a mobile), I noticed I was not as careful as I should have been in getting the strips on straight, and it was only going to get worse.

So I threw in a “half-length” of selvage on the right and stitched it down. Then the next strip would be more straight and level, and I could move forward. This process is pretty forgiving, so try not to sweat the small stuff. The rest of the photos show an early phase (half done), then a fully covered square. Notice that the “tip” has a rather large piece of selvage on there. I have been known to grab a length of fabric from my stash and cut a selvage to fit.

Flip over your completed piece, and trim to 10-1/2″ square.

Four of them, sewn together, yield this pretty thing.

One last tip: I did plan to keep the paper on until the very end, but hey — paper doesn’t move, stretch, or give. [Or if you’ve been watching all the Saturday Night Live (SNL) videos this week, it also doesn’t kick…stretch…or kick.] While some of these selvages are from 25 years ago, they aren’t as old as Sally O’Malley (she’s 50!).

Although, if you need a good laugh, let me stop you right now and remind you to watch the More Cowbell skit. We burst out laughing one early morning, and in spite of the News (shudder), had a smile on our faces for most of the morning.

The other night I couldn’t sleep so wandered into my sewing room. I typically don’t sew in the middle of the night (you know, sharp things) but I decided to piece together my big blocks. I had some repairing to do after taking all the papers off, so did that, then started –very carefully — pinning and sewing the blocks together. It was a wonderful time to think of the fabrics that I’d used, from baby fabrics to bright bolds, to textures. I found repeats in different color ways, backings (they give the longest lengths of selvage), and bits and pieces of other fabrics.

I realized this quilt is now kind of like a fabric journal, a history of my materials and where my quilting journey has taken me over the last fifty years. Just as SNL is celebrating their 50 years of doing comedy sketches, I guess I should celebrate my fifty years of quilting.

Happy 50 to me!

Guess I’ll go and sew something!

European Patchwork Meeting · Free Download · Quilts

Strawberry & Saint Marie-aux-Mines

I have so much to share from my trip to the Carrefours European Patchwork Show in Alsace, France last month, but first…strawberries.

I know we just did Halloweeeeen, but when my beemate asked for strawberries for her block in October, I couldn’t resist drawing up a free block guide for you to download.

Click to download:

Almost as soon as I got my suitcases cleared out then I came down with a case of covid, which meant Paxlovid (cue: grimace, for the taste it leaves in your mouth, but cue: happy face, for having this drug). I’m just now coming up to the top of things and curating my photos. All is coming, but here’s a taste of things:

Yes, it really is in a series of small villages set in the beautiful Alsace region of France (just below Strasbourg), and there really were amazing quilts to be seen in beautiful venues, but it’s coming, I promise!

El Niño, by Brazilian artist Sarah Luise Kaminski. Done with various fabrics, thread painting and free-motion quilting and layers of metallic thread.

One of the many sites where quilts and art were displayed: this was an old church filled with Amish-style quilts, honoring the early emmigrants from this region to America.

Au revoir!

Free Download · Museums

Quilt Care | Surface Designs

Freebie alert!

Now you can give them to the people who get your quilts. Download the freebie below by clicking on the button.

This is what it looks like: four to page. Print it out on cardstock, cut it apart and pass them out with your quilts.

I did have an old Quilt Care Card, but when my sister Susan needed one for the quilt she was making, I rustled up a new one. Much better.

As a person who often wishes she’d studied graphic design (our as they sometimes reference it: surface design) in college, I’ve been amazed by all the graphics I saw on our nightly broadcasts of the Olympics. I want to do something with them all, like making a heart block seen above. Or that very cool half-circle in segments. Another color way is below:

Here’s some links to gaze at, if you’d like seeing some of the graphics in motion:

The cool pictograms denoting the different sports
You know that box the Olympians receive with their medals? Here’s what’s inside.
I liked the little video on this post.
And the connection between the pictograms and a few sports.


Oh. Okay. (Need to update my thinking.)

Dreams Between the Earth and Sky, 2018 by Judithe Hernández from here

We went over to The Cheech [museum] last week, on the last day of Judith Hernández’s exhibit, most done in pastel chalks. So many intrigued me, but the two ladies on either side of this triptych were “clad” in the embroidered designs from huipils, a typical dress.

Here’s a snapshot of the huipil I brought back from Guatemala in 2019, when I visited my sister Cynthia (she has since returned from her church mission), and she took me to so many interesting places that involved needles, thread, looms, cloth. I could have stayed a week, but we only had a weekend.

Here we are, clowning around in a woven shawl. Don’t worry; I bought a couple.)

Three women, one of them just crowned Queen of her Village, all wearing huipils (woven and embroidered tops).

Patchwork quilt made of woven scraps, with some embroideries here and there. Somewhere I have about 10 of these parches, tucked away (of course). This entire post has more information if you are interested.

But back to the tryptich, above.

In the linked video, Hernández explains the iconography of the red ram in the center image. It’s that thing that seems to come around and interrupt the smooth flow of whatever you are doing. Of course, I’m paraphrasing. I’m all too aware of red rams in my life, in the life of friends far away, in our families. I loved that this idea was put into a visual image.

My husband and I walked on the beach this last week, as we had a mini-celebration for our anniversary. The waves drawing out the different grains of sand into patterns fascinated me.


Celebrate the bits and pieces of surface design you run across in your lives–

Post Script:

One can never have too much paper or too many pencils. The pencil above is a quilt clapper made by Modern American Vintage, with the loot from the Field Notes most recent sale: I’m a sucker for small notebooks. The pencil below is a Blackwing, purchased last year. It glows 🙂 in the dark!

trying to figure out the quilting