100 Quilts · Totes and Purses · Travels

Dumplings

Not *this* kind of dumpling!
Yes, these are dumplings, but it’s not the kind I meant. However, if you want the recipe, I describe it here (but the NYTimes Cooking website is the original source). It’s soooo good for an end-of-summer recipe.

This is the Dumpling I was thinking of — a sweet little zippy bag. It’s a design by Michelle Patterns, and she has a great tutorial and a free pattern at her website. I’ve made many, and use them for little things in my purse, I use them for travel (it carries my tiny portable phone charger/battery/thing). They hold lip gloss, lipstick, treats — all kinds of stuff.

This is why I made them: my granddaughter’s wedding had champagne and beige and cream and white for her wedding, and my daughter — the designer — had used chiffon and satin ribbons everywhere. So I grabbed some of the ribbons when we were cleaning up and brought them home.

I pulled all the tones of the wedding I could find in my stash, cut 2 1/2″ squares and sewed them together in rows. Then I backed them with batting and fabric, did a random wavy pattern for quilting, and cut out the dumpling bag shape. It goes together really quickly. I sewed a clump of ribbons onto the zipper pull and sent them off!

Glad they like them! A little momento of a big day.

And what else have I been doing? Mending quilts. If you’d told me I’d be mending quilts decades after making them, I wouldn’t have believed you. The Christmas quilt (since passed down) was ripped, but luckily I had the fabric. Watch the little movie here. But the other was an earlier quilt of mine.

This is how it — and we — looked in Road to California in 1998. I’d seen a Wheel of Mystery Quilt in a National Quilt Show in a city close to ours (the only time I can remember one coming that close). I didn’t have a template and can hardly remember if 25 years ago we were using rotary cutters, but I’d sort of figured out the pattern and made a template from a Crisco shortening container lid, and used that to draw all those circle-y shapes.

I purchased just about every color way in the pansies fabric, and used solids to coordinate. It took me about 3 years to make this, and yes, it was hand-quilted, on a small hoop stand that was in the corner of our dining room.

Last night, Dave held it up for me in our back yard, another sun-going-down photo.

The back. This is Quilt #25, in my Quilt Index. Unbelievably, that’s 254 quilts ago.

The label on this well-loved quilt reads:

I SEND thee pansies while the year is young,
Yellow as sunshine, purple as the night;
Flowers of remembrance, ever fondly sung
By all the chiefest of the Sons of Light;
And if in recollection lives regret
For wasted days and dreams that were not true,
I tell thee that the “pansy freaked with jet”
Is still the heart’s-ease that the poets knew.
Take all the sweetness of a gift unsought,
And for the pansies send me back a thought.

Poet: Sarah Dowdney

I used the phrase “heart’s-ease” as a title on another quilt, but this one is just all Pansies. And yes, that label is all reverse appliqué –I slid the hand-written poem underneath a pansy rectangle, and edged it with a border of pansies. I cut out and appliquéd more pansies around the edges.

Why was I mending it? The binding had worn right along the edges (we used it on our bed for many years). Because I had made a double-width binding, and because I didn’t have any more of that fabric, I pulled off the binding, pressed it, and cut it down the middle, tossing the worn side, and saving the “underneath” side:

I did a double-fold binding, sewed it on, then trimmed away excess before I folded it back over the raw edge and hand-sewed it down.

That’s what talking on the phone is for: put in earbuds/put on headphones and talk and sew. It’s already been claimed by one of the children, and I’ll deliver it to him in the next couple of weeks.

Stacks of Wheat (End of Summer) by Claude Monet (1890-91)

In last week’s poem, I mentioned “ricks” and found out they were haystacks. Well, this past week I was in Chicago (my husband was at a scientific meeting) and I spent two of those days at the Art Institute of Chicago, even becoming a member. And here they were, these piles of hay as described by Dylan Thomas: “hay / Fields high as the house” and “the nightjars /  Flying with the ricks” as painted by Claude Monet. There were multiple images of these haystacks, and lots of beautiful Monets.

(Above is a video, if technology is working for me. )
I hope that wasn’t too fast, but you get the picture. Multiple pictures. And a patchwork Rail Fence floor.

When I left to Chicago, I determined I was not going to seek out quilts, or fabric stores, but instead accept whatever Chicago was going to give to me. It gave me so much: time away, time for walking, time for seeing pattern, time for seeing art, time for resting. It also gave me a chance to see many interesting things, catch up with some friends, go to church with a different congregation, and stay in a grand old hotel where I didn’t have to clean and I didn’t have to cook one meal all week, and where they claim the brownie was invented.

Of course, I saw the grid — and quilts — in everything, everywhere–

Title: For the Pansies, Send Me Back a Thought
My quilting has evolved and changed, but I still love this quilt.

300 Quilts · Quilt Finish

Time Let Me Play • Quilt Finish 2023

Last night we had smoke from fires somewhere, but I never could figure out where. And so I gave up, because that’s what you do at the end of summer: you play it easy, play it nice. You take a breath. You don’t work too hard to find out things that don’t really matter. For nearly a week the temperatures here have felt like end-of-summer, with highs in the 70s and at night, lows that allow the window open.

This quilt is Time Let Me Play, the line taken from “Fern Hill,” a poem by the esteemed Dylan Thomas, where he describes his childhood from the vantage point of a grown man. He looks back, riffing, remembering and describing how he was king of the hill, lost in the verdant landscapes of his childhood Wales. I especially liked the repeating of the center lines of several stanzas:

  1. Time let me hail and climb /  Golden in the heydays of his eyes, /
    And honoured among wagons I was prince of the apple towns
  2. Time let me play and be /  Golden in the mercy of his means, /
    And green and golden I was huntsman and herdsman
  3. And playing, lovely and watery / And fire green as grass. / And nightly under the simple stars / As I rode to sleep the owls were bearing the farm away

Who is this personage that he refers to? It is Time, which gives him a chance to be “green” and “golden” — a reference perhaps to being young like a growing sprout, but also as a golden, or fair-haired and favorite child. The child is the “prince of the apple towns” and lord of the trees and leaves. He repeats “Time let me play” only once, but does refer to that necessary activity of youth, over and over.

Only at the end does Thomas allude to the ephemerality of what he has just described, when he says that Time held him both “green” and “dying,” giving hint to the arc of a day, of a season, the arc of a life.

And while I could go on forever, pulling out the ideas from this rich poem, I want to say tonight that I slipped out the door just at sunset, the sun climbing down from its throne in the sky, soon to slip down over the horizon. I had the quilt in my hands, and quickly clamped it up to the sprawling woody vines of our wisteria. I stepped back and took pictures as the golden light lit up the quilt.

The shadow of the leaves were soft smudgey shapes, a contrast to the crisp angles and simple lines of the quilt. The sun moved quickly and so did I, turning the quilt over to snap an image of the label, sewn on this afternoon.

I felt caught on the edge between day and night. And I am also caught on the edge of another shift of time: I am no longer that young child, climbing trees, playing as if it were the only thing to do in summer, drinking in the richness of clouds and dew and green and gold. But with cloth in my hands, I can still play once in a while, as that pure essence of a quilt — of color and line and shape and imagination — will still let me wander.

Time, let me play.
Again and again and again.

Quilt Details

Quilt #279 in my Quilt Index • 53″ square
Painters Palette Solids are from Paintbrush Studios
Magnifico thread is what I used for quilting, and that is made by Superior Threads
Designed, pieced and quilted by Elizabeth Eastmond (me!)
Pattern can be purchased in my Pattern Shop

Fern Hill

by Dylan Thomas, 1914 – 1953

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
     The night above the dingle starry,
          Time let me hail and climb
     Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
          Trail with daisies and barley
     Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
     In the sun that is young once only,
          Time let me play and be
     Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
          And the sabbath rang slowly
     In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
     And playing, lovely and watery
          And fire green as grass.
     And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
     Flying with the ricks, and the horses
          Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
     Shining, it was Adam and maiden,
          The sky gathered again
     And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
     Out of the whinnying green stable
          On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
     In the sun born over and over,
          I ran my heedless ways,
     My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
     Before the children green and golden
          Follow him out of grace,

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
     In the moon that is always rising,
          Nor that riding to sleep
     I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
          Time held me green and dying
     Though I sang in my chains like the sea.

Last words about the poem: I searched to understand what a nightjar was (found it), but that flying rick? Well, a rick was a name for a tall haystack, and I suppose the child falling asleep at Fern Hill might dream of flying nightjars and haystacks, just as the “owls” might “bear the farm away.”

Quilt Shows · Quilts

Eye Candy for the End of Summer

While the original version of the word meant light, frothy entertainment, this grouping of quilts was more serious, found in Primal Forces, an exhibit in the BYU Museum of Art. They were part of a traveling show from SAQA, and I was delighted to see them while visiting there for a wedding this summer. One of them, the quilt with “rocks” and “water,” I first saw in France while at the Carrefour Quilt Show in the Alsace region. It was like seeing an old friend. And yes, I always love that overhead thread sculpture by Gabriel Dawe that I led with. It’s too hot to do anything else, so enjoy the quilts!

NOTE: I put some of them together in “galleries;” click to enlarge.

Sonoran Spring, by Stephanie Nordlin

I loved the shaded window above these two quilts, reflecting the shapes in an architectural way.

I love the simplicity/complexity of the quilt above. It just vibrated on the wall.

Thank you all for your well wishes in the last post. It’s taken me longer than I wanted to write back to you, but I’m most grateful for all the lovely things you said. We did survive the “storm” and as I read about the weather that’s been going on at my friend Carol’s home this week (tornados! rain! lightning! more rain!), it confirms that we Californians are all a bunch of wimps. But thanks for understanding how excited/worried/confused we get by a change in our (usually) moderate weather.

Okay, summer. You can head on out, now. It’s back to quilting…

(All the colors in the center have been quilted)

P.S. Summer leaving? HA! In Southern California, our summers stretch outward into October. We have more hot days ahead of us.

Temperature Quilt

Weather on my Mind

Hurricane Hilary is streaming towards us, so we spent most of Saturday morning doing something that East-Coasters have memorized: make sure we have water, food that can be prepped w/o power, and have sandbagged potential flooding areas. We put in French drains ages ago, but our up-above-neighbor’s water always pours into our yard (unhappy face, here). He’s a nice guy, but we have to prepare against his run-off, so my husband did something we’d never done before: went and got sandbags.

I cleaned out the garage, sweeping it clean and propping up all cardboard boxes off the floor, just in case the water runs through the back door. We then loaded all the patio furniture (even the BBQ) into the extra space. I think we are ready. The humidity is off-the-charts, and the storm hasn’t even arrived yet. (And in case you are wondering, that is a 30-year old wisteria vine on the patio cover. I planted it when we first moved in and I hope it all survives the predicted winds.)

But that’s not the only weather on my mind. On this day as I sewed the squares for January 2023 together, I was thinking about how cool the weather was at that time (yes, we even had a few nights of freezing, which would explain why our jacaranda tree is currently toast — we have hopes it will come back), and how many rainy days we had. When I sewed March, we had one day of 10 minutes of snowflakes (it happens in Southern California), and a third of the month were rainy days.

I mentioned how I was needing a month identifier block, and I decided to use whatever colors were in the mix at that month. So for January, they are pinned above the beginning of the month. I sewed two of the triangles together, then added another:

Then trim:

Now I have a month block. Of course, I can’t do them ahead of time, but that’s okay.

This is how my cutting space looks. It’s getting quite cramped. The box with all the colors-in-bags is next to the yardage. I purchased 1 yard of all the Painters Palette solid colors. In front, the construction/cutting zone, which I clear away and then set up again, as needed.

And here I’ve pulled all the “highs” for that month, and have written the dates in the seam allowance. Yes, please, do this.

Do I just sew them together randomly by date? Yes, I do them by date, but first pin them up to see how they relate to the other blocks around them. If the temps are lower than the day before, the angle is down to the right. If the temps are higher, angle up to the right. Of course, the first couple of rows, I just sewed, but now it’s a pattern game: what will I see when this one is next to that one. This is the fun part of it all, and I’m enjoying seeing what these HSTs make. (And the temps are getting warmer, shown by the pinks.) I pin the loose ones together:

Then I sew them together. I press one row going down, then the next row going up, so they will nest together and I can sew them together (albeit a bit more slowly) without needing to pin them. If you are a “press-open” sort of sewer, have fun pinning those seams.

Then I got up early Saturday morning, before the work of the day (moving stuff into the garage — even the gazing ball is now tucked away) and take a photo. I just turned the corner on the month of May, so I’m catching up to August. Now I’m thinking I need to make a different color band for our hurricane. Yes, I know it will be a tropical storm by the time it hits us, but wow–this is definitely something I’ve not experienced in Southern California living. Ever.

My Quilt Journal

Now I have a question for you. Have you ever journaled about your quilts? If so, have you tried any of these techniques?

  • Blog, then print the book
  • Blog, with no printing
  • Instagram, with/without printing
  • a notebook, where I paste in my photos, and write about my quilts
  • no Quilt Journal
  • just photos in an album

I’m thinking of proposing to our Guild that we have a Quilt Journal night, prompted by this article in the NYTimes, where Laura Rubin believes corporate American could benefit from the practice. But why not quilters, too? She says that “journaling works. It gets you where you need to go,” but in my life, it’s also a way to collect what I’ve done, to not lose my life in the details.

And do you:

  • use a pre-designed quilt journal, like the ones available on ETSY?
  • make your own from a blank spiral-bound book?
  • Buy a bound book?
  • Write just about the nuts and bolts of creating that quilt?
  • Or do you take time to write the inspiration, the story of the quilt, and why you chose the title?
  • Does it include photos? Fabric swatches? Sketches?

So, anything you have to add about the idea of quilt journaling, leave a comment, or an idea.

The storm is still not here, and we are all in anticipation. It’s killing us, smalls. We’re used to earthquakes, with no advance notice. Boom, and you are shaken. I just came in from outside, the twilight sky is dark and deep, with a thick layer of clouds overhead that deaden all sound. Eerie. Guess I’d better quilt before we lose our power, right?

…who is looking to survive Hurricane Hilary!

First ever appraisal of a quilt
Our poor, nearly dead, jacaranda tree.