300 Quilts · Temperature Quilt

Time is a Dressmaker • Quilt Finish

Faith Baldwin said that quote, and I’ve saved it for ages, waiting to use it as a quilt title.

I started this with a whole new stack of colors than my last temperature quilt, and then even though I’d been fussing about it since January 1st, the intense sewing really didn’t get underway until about March — I was waiting to see if we would have an interesting year for weather. We did, with snow one day and hail another and many rain storms.

While I didn’t want to replace the earlier version, I did love love that quilting. Jen was able to do the same pattern on this quilt, too. It’s more square, has a temperature quilt key on the back, along with a linen tea-towel calendar to show the year. I also added a square denoting made in California. Which it was.

This is quilt #286, and it’s 61″ wide and 70″ tall. Or long. Or high, or whatever.

No surprise that I chose this title for this quilt, as these patchwork triangles mark the passage of time, and by their very color, alter the face of the quilt top. I’m not sure I’m as generous about the marks time has placed on my physical body, and sometimes the alterations of who I think I am can sometimes be pleasant, and other times, painful. I want just enough spice and change in my life to make it interesting, but I don’t want sustaining relationships to wither or change or wilt. Some you can’t get back, like when my father died earlier this year. Other relationships take a bit more stitching and cutting and late-night sewing to become the beautiful garment (or quilt) they were meant to be. Y’all know what I mean, and I’m guessing the marks time leaves on all of us can be wearying. Or gratifying. Or somewhere in between.

We’re planning a trip to see the Eclipse in April, and are trying to find those moments where we can pause time, as Stindl-Rast suggests. And hopefully not in dive hotels, or out of gas at the side of a road in West Texas. Seeing the eclipse will, in its own way, pause time, and will make its mark, bringing a fancy bit of stitching to this thing called life.

I hope the Dressmaker-called-Time makes you the finery you hope for–

(XOXO Thanks, my love )

P.S. Other posts about this quilt:

Temperatures are in the News!
February 2023 • This and That
Filling the Days…with Quilting
This and That: October 2023

…and other posts on Instagram.

New York Beauties · Patterns by Elizabeth of OPQuilt

Shimmer: New York Beauties Block 8

New York Beauty block, Shimmer, by Elizabeth Eastmond

This is not Shimmer‘s first rodeo.

New York Beauty block, a different version of Shimmer, by Elizabeth Eastmond

It first started as “Dazzle” and I liked it, but then I was playing around one night and came up with that bias-stripey-trim on the outer ring, and liked it a lot more. So Dazzle went back in the Possibles File, and Shimmer came out.

I clumped the cut-out freezer paper pieces with their chosen colors and got to work. First up is folding on all those lines, something I learned from my last attempt at this. The really flat edge of the Add-an-Eighth-Plus ruler is lovely for this. (I just picked the first link that came up; there is no kick-back.)

I still use that backwards-fold-it-over method I learned from Verushka, as it allows me to see how big of a piece I need for the next segment. A somewhat confusing (apparently) discussion of all this is on my first freezer paper post. But if you follow along on the steps, you’ll get it.

This is a small ring, the first one, so there is only one section, and the piecing goes quickly. I’ve trimmed it all up. Peel off the freezer paper gently, so you don’t open up any seams.

I always keep the concave side on top, with the convex side on the bottom. In other words, the quarter-circle E piece is toward the feed dogs. I explain it in the pattern.

Two parts finished. It’s late at night, but I was determined to get the block done. Mistake.

Whoops. It’s not supposed to be two blues together.

Luckily, with freezer paper, it’s easier to unpick that if you were using paper in the traditional foundation paper-pieced gig. Got the blue replaced with lavender, but then couldn’t get the two sections lined up. Unpicked that one, re-stitched and kept going. (Don’t you love the dull light at night, even with the best lamps? No wonder I can’t see colors!)

And then went to bed bummed out because I hated it. Moral: don’t sew when you are tired. Duh.

The next afternoon, after the sun had come out from our cloudy/drizzley morning, I decided I liked the light pink and green combo. The outside sections were also working fine, but that it was the middle large rays that were the bust.

So I auditioned new colors for the rays. I also ended up changing out the A piece–the outer corner.

I decided not to take apart the block I didn’t like, but start again, making it over and using the new colors.

I also decided to press the seams toward the colorful wedges, although truly, this fabric is so good it doesn’t much matter, as there is little see-through.

Remember how I showed you I have five points of pinning on those larger curves? One in the middle…then fold the edges in, and mark those where the folds are. That makes five, with the two outer edges.

And here’s the new one. Will I throw away the first attempt? No. Look below.

If you are aiming towards a quilt, make five of the new one. Those, along the first and second blocks we made are on this Progress Chart. It doesn’t much matter that the first attempt is different. These blocks may not stay in this arrangement, but it gives you an idea of where we’re headed.

The new color chart (and the first version of Shimmer block colors) are up on the free Preview at my pattern shop. And everything is organized on the tab above: New York Beauties. I’m thinking that the pace of about every other week suits me. Hope it suits you, too. And no worries if making this is not in the cards at this time. The pattern, and these tutorials will be around for a long while. I’m still getting notes from quilters using my FPP circle patterns, and that first one was from a decade ago.

Okay, there’s another block for you in this New York Beauties Quilt (for Barbara). The pattern coupon from the last post has expired but getting twelve fascinating — but not complicated — blocks in one pattern that costs just a little more than a pastry and a beverage drink is a real deal. Grab yours here and come sew with me!

This-and-That

February 2023 • This and That

I finished all the tendrils and vines and flowers and now just have the center circles to appliqué and so I started thinking, what’s next?

A border with leaves…with flower buds and occasionally not flower buds. This wasn’t my first idea, but it seems to stick. I was hoping my brain would cough up something a little wilder, like Gaugin, or something. I can’t figure out a title for this quilt-in-progress, having gone from Midnight Garden, to Twilight Garden. Which sent me down the rabbit hole of what is twilight?

I wanted a title for how flowers look when the sun has gone down but it’s not yet dark, and it turns out I have three different descriptions: civil twilight, nautical twilight and astronomical twilight. I think I was trying for nautical twilight. Stay curious and read about it here.

What else?

I used to be paranoid about releasing my ideas before they were a pattern [coming soon!], but I know whoever is looking at this won’t steal it, right? But this is how it looked in my head and this is where we are today:

Inverted Log Cabin. Yep, I sewed that last seam, raced downstairs, grabbed Dave and we snapped a photo in — what else is on my brain in this post?–twilight. I’m thinking Civil Twilight.

Now to figure out how to quilt it. I’ve been highly influenced by Christine Perrigo‘s ideas (took a class from her at QuiltCon once) about how to think outside the lines. On the left, last night’s attempt. On the right, this morning’s. I just worry that it may all obscure the center floating square. And what color of thread? I try never to start with my first ideas, but let them jell a bit.

I received this amaryllis from a friend for Christmas, and on the left is how it looked when it bloomed in December. On the right, is the flower now, nearly DOUBLE the height. Is it because it’s a low-light window? When it is on the countertop, it’s taller than I am now and almost taller than my husband. Should I stop watering it? Let it go dormant? Does this blooming ever stop? I’m looking for tips from all the amaryllis experts out there.

And it’s awards season so we get to see what all the stylists dress their clients in, as well as see Fashion Week’s street fashions, as well as things that in the shows. Mostly, I think: “There’s no way I could ever wear this!” And the Fashion Person replies, “Made you look.” Although I do like some elements of all the fashion shots above, remember, they are highly curated. By me.

That pocket is black check, sewn on in a non-factory method, on a navy-checked shirt. I think Dad sewed it on at one point, because his shirt didn’t have a pocket. Or he took it to a terrible place that had terrible machines. And where did he get the square of fabric? (He was highly resourceful, all the time.) I only took two shirts from his closet when we cleaned out, and we donated the rest to a group at the local university who lets students “shop” from the selection to look spiffed up for interviews, etc. I am pretty sure they wouldn’t be needing this one, or another worn one. I cut off collars/cuffs/buttonplackets and will use them in a project I have in mind. In the background are couple of my husband’s old shirts, too. Now if I could just find the bag with the other blocks from this Project I Have In Mind, I’d be really happy.

I have since distributed these, but I also brought home his paintbrushes. Several members of my family wanted some, and it’s nice to know he’ll be thought of, whether they are put to use, or tucked into a pencil cup. All of this is a way to re-integrate parts of my life together.

I had been feeling this way, for a bit too long. (I’m going to start calling things on my To Do List “Mysterious Activities.”) But this week I had a whole free day without anything scheduled and pushed forward on several fronts (like finishing the appliqué at the top of this post). And a quilt showed up from my quilter:

Halfway there on getting the binding on my 2023 Temperature Quilt. I am aiming to finish it by February 29th because how cool to finish a quilt on Leap Day, right?

And the last thing in What I Dragged Home from my Parents’ House Category is this reading stand. No, I didn’t get it from the parents, but it has to do with them. I borrowed my mother’s journals back from my niece and am slowly reading them. Having this, helps.

Almost done here, hang on. This is the set of trees, made for the Gridster Bee, for February. It’s from someone’s pattern, but it kind of drove me nuts, because…the center seam on the tree. (Why?) But the game in online Bees is they choose the block they want. And we make them one, or two…or three.

I went to pick up my friend to take her to her Birthday Lunch, and this gorgeous hibiscus was blooming in the rain on her front patio. Couldn’t resist snapping a photo.

And even though it’s still February, I have already put out March’s St. Patrick’s Day girl, because right before that holiday is the Dreaded Daylight Savings Time Shift on March 10th (hate it because I like morning light, and NO, DST doesn’t give you “more light”), and right after THAT ignominious day, we will have St. Patrick’s Day, then dance in our gardens for the First Day of Spring (March 19th), and and then after that we drag out the bunnies and eggs and stuff for Easter, which is the last Sunday of March. Couldn’t we have spaced these out a little more?

Happy Whatever!

New York Beauties · Patterns by Elizabeth of OPQuilt

Aurora: New York Beauties Block 11

Yeah, I promised I’d do these blocks every two weeks, but it was a day I wasn’t weeping over Dad and stuff, and I could breathe and the sun was out and the white snow atop the mountain in the distance was so beautiful, and it was time to sew. It’s good to have days like this every once in a while. Plus I still had some awesome Valentine Candy for snacks (Trader Joe’s Xs and Os anyone?), so that must have been an omen to get out the fabric.

I skipped way ahead in the line-up and went for Aurora, the eleventh block in my New York Beauties quilt. Maybe I just wasn’t up to some fancy piecing, or I loved the blues, or what, but again, I used freezer-paper piecing and still liked it.

Rhonda wrote to say that the older freezer paper seems better than the newer stuff, and in her case, it can sometimes shrink slightly, so press it once down onto your ironing board, just to be safe. Carol wrote to say she was able to get five uses from her freezer paper: love to get comments giving me tips. I realize the last post was sort of intense, so this one will be lighter.

I use Painter’s Palette Solids from Paintbrush Studio (you can buy them here). Good goods. Full stop.

I’m starting to make a color card for this project, adding in the colors I use, in case you want to duplicate this. I am going the full color range for this quilt, but not full-strength. Some colors are muted (with gray added to them) and some colors are lightened (white added to them). The muted colors will keep this from looking less like a paintbox exploded (no laughing out there, yes I know it’s still pretty colorful). Here’s the card, so far. I will keep the card updated on online, where the pattern lives (not here).

To get your free download, go to the pattern, and click on the word Preview (in the pink circle). It’s also a way for you to get the color numbers of colors that work together.

This is where I started. My printer was having fits, so I cut the freezer paper slightly smaller than a page of card stock I had and taped it to the card to send it through. Then I arranged colors of my fabrics, trying out what I wanted to combine.

Then I folded the creases in from the front, then from the back (another tip from Rhonda).

Rolling, rolling, rolling. (You have to be of a certain age to appreciate this.)

I use two sizes of rotary cutters for those curves (little for the inside, larger for the lower curve).

Peel back the center papers to join the B1 piece to the B2 piece (same on all the blocks).

This has a narrow inner ring, unlike Block One, Wild Sunflower. You can sew the ring either to the rays or to the Inner Center Piece. I make marks in the center for this short distance, so there are three pinning points.

For the lower curve of the rays to the Outside Corner, I do three different marks, so there are five pinning points.

I’m getting ambidextrous, but I still prefer the pieced rays on top when I sew.

Home stretch.

And although this is a wonky photo, I did evenly trim them to 9 1/2.” Two are done in no time at all.

My chart for keeping track. They are all in their places, with colorful faces!

Reminder: the coupon is good until Leap Day, February 29th, if you want to make some, too.

PS: I carted home several journals and photo albums from the clean-out of my parents’ apartment, which made me realize that the little photo, above — a composite of my monthly markers on Instagram — is like a type of journal for 2023. Good memories!