Recently QuiltMania Magazine and I entered into a collaboration — one of those collaborations that finds you in the middle of the night cleaning out the front closet, or tidying up the bookcase in the family room, or hunting all your sewing studio for your favorite piece of fabric. So I
tidied up rewrote wrote a new finishing pattern and it’s now up for sale on PayHip. This pattern provides the setting templates and instructions for putting all those circles together cohesively.
Eventually I’ll put out a pattern with all the blocks, but for now, the Shine series consists of the free ones on QuiltMania, four more blocks for purchase, and this pattern to set the quilt together.
The original pattern was from my write-it-up-in-Microsoft-Word days, all the while plugging in
poorly lit photos of the steps. Now it has many illustrations, as I’m finally getting the hang of my creative software, and what I don’t know how to do, I’ve figured out a few workarounds. The above illustration was one of those.
I made up a new EPP circle pattern, Summer Day, and threw that in at the end, figuring whoever checks this out would like a freebie.
Last week I taught a live-online lecture for the Alabama Station Quilt Guild, and the Criss-Cross Quilt below was sent to me by Gisele, one of the participants. I love the colors she chose and thought the quilt was really terrific.
A few weeks ago my friend Mary of ZippyQuilts sent me a photo of her version of my Merrion Square pattern, made larger as it had a specific size need. I love her interpretation and the cute bunnies in the town square.
Last year, in April 2019, I received this comment from Karin on an old post:
“I’m just embarking on making this quilt (Crossed Canoes) as a memory quilt for my parents. We lost my brother, an avid canoeist, in December. Thank you for that idea! I’m making mine with my brother’s shirts and a few other fabrics from my stash for extra vibrancy.” My original post was about my sister and her group of friends making a memorial version of Crossed Canoes quilt for a friend. I love this pattern, and this post tells that story as well as provides a free downloadable pattern of this block.
Last post I had put up our Gridsters Bee Block for September, attributing it to a variation of Puss-in-the-Corner block.
On further look, it is more like a variation of Illinois, from the periodical Hearth and Home, published from the 1880s to the 1930s.** What a difference a few well-placed color shifts can make! What would happen if I made a few color shifts, or line shifts, I wondered? The following riot of squares and triangles ensued. In my defense, it was late, and I was too tired to do the dishes, so I sat down to play with what my friend Janet calls “a quilter’s video game,” our quilting software.
These are grouped by first, the block, then a grouping of possible quilt designs. There’s a lot so feel free to just scroll quickly.
The basic Puss in the Corner block. I guess those little square blocks are the farmhouse cat, tucked away in the corner sleeping.
Basic Quilt with no sashing. If you squint, you can start to see a secondary pattern emerge. #needshelp
So I added some color. It needs some value shifts, I think.
Variation. I cleared out the undergrowth.
This final rendition has some different versions of coloring the blocks, along with some sashing.
I thought the prominance of the flying geese might make for some goose tracks throughout the quilt.
Here’s the basic Illinois block, in the coloration from Hearth and Home publication.
Okay. Maybe we could do something with this one.
I must have been really tired to use so much purple.
Okay, how about I keep the flying geese and Puss-in-the-Corner corner blocks, but just turn them all inward-facing?
Busy, but could be fun as a scrappy quilt, playing around with where the blocks touch. Of course, our quilting foremothers would have always had sashing, right?
This was a neighbor to Puss in the Corner, and is called Big T.
I went this direction first, swapping out the center. Nah.
Here’s the variations of that block. I kind of like how it looks like the corner edges are folded down.
Here’s what I played with, all capsulized. And below are the blocks in white, and then further down, a PDF of the pattern templates.
Final thoughts: The top left block looks like it has more possibilities, less places to call a halt to other ideas. The other three blocks kind of box in the quilter, confining the creativity to the block itself. I would like to try matching these up with other nine-patch variations, and see what kind of quilts those combos could yield.
Here are the basic block PDF files for download. They all make a 12″ block.
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**This information was gleaned from the quilter’s bible, The Encyclopedia of Pieced Quilt Patterns by Barbara Brackman.