Creating · Quilt Shows · Something to Think About

Quilt Festival Entry 2011

Welcome to those who clicked over from the Blogger’s Quilt Festival!

Heart’s-ease

I made began this quilt in a class from Ruth McDowell.  For those who have taken her classes, you know you only begin there, but then go on to spend a good amount of time chasing down just the right fabric to go in a particular spot.  It was a four-day class and by the end, we were all dragging in–our creative juices spent, our bodies dead tired, but our vision–changed.  For Ruth (who by the way didn’t look tired at all!) had changed us.  I was then, and still am now, a quilter who is enamoured with the grid.  I love nine-patch, stars, crazy about sashing, and love love love Log Cabin.  Maybe it’s my orderly nature or something, but when you finish a grid quilt it’s like having cleaned out a drawer or a closet or two.  You’ve restored some order to the universe with your neat rows and sharp points (even if you have cut off a few in construction–who notices?).

Heart’s-ease is the old-fashioned name for a pansy.
Ruth suggested I use a fabric that my husband brought me from Zimbabwe as the center; she was right–it really works.

So trying to do this quilt–which is a strictly right-side of the brain, pile on your fabrics, cut those pieces of freezer paper and go go go sort of process–humbled me.  The angles–none, except a few around the border–are that blissful 30 or 60 or ninety-degrees cut over and over.  The picture I’d brought in of the pansy determined her own angles, her own coloring and background.  I think I cornered the market on yellow-green fabrics that year.  But after a year and a half–it was finally done.

It had been on my pinwall while I finished my undergrad, earning my degree in Creative Writing.  So in a way, both Pansy and I grew while she lived, unconstructed and grid-free as I wrote short stories and the beginning of a novel and struggled through having my own brain cracked open and reformed.  No tidy endings for either the stories or the pansy, but only a dark, broken border to contain our tales, our thoughts, a few dreams and a degree.

Heart’s-ease label.
When Amy asked for a quilt that taught me a lot–this just HAD to be the one!

Thanks to Amy for hosting this.  Some of the other quilts I’ve been working on are:

Come A-Round (which is at the quilter right now)

Spring/Life’s Alive (I just needed a light, happy quilt)

Christmas Star (Whew! Made it before Christmas arrived last year)

You can read about these and others by clicking on the collage of words in the right margin.

Hope you find more inspiration and ideas. I’ll be looking at yours as well!

Thanks for visiting,

Elizabeth E.

Click here to return to the 2011 Quilt Festival, and come again!

Sewing

Sewing ADHD

I’m convinced I have sewing ADHD.  Yes–in all likelihood I could easily be diagnosed with this myself, or so say some of my relatives.  But I’m so easily distracted now by all the possible projects that I could sew.

Here’s a case in point: Wallet-to-Tote On The Go.  Sew, Mama, Sew is putting a series of tutorials on their blog for summer sewing, and this one has caught my eye. These little wallets fold out into . . .

. . . these bags!

Head over to Sew, Mama, Sew to follow along with their summer tutorials.

Quilts

Spring/Life’s Alive–Finished!

I received my quilt back from the quilter and stitched on the binding.  Foyle’s War, Season Three, was my visual entertainment while I stitched it down.  I’ve been using it on my bed at night, and it works really well.  The flannel backing keeps it anchored on my bed at night and the lighter weight is perfect for this transitional spring season.

Standard-Rolled-Up-Quilt Shot

Creating · Quilts

Lollypop Trees

While some think it takes courage to climb Mt. Everest (and yes, I agree), it also takes courage to finally open the Lollypop Trees pattern by Kim McLean and admit that yes, it’s time to begin.  So I played it safe today.  I cut apart the life-size pattern pieces and jotted down where the trees are in the Grand Scheme of Things.  You can see my penciled-in numbers in the grid on the right. But before I explode the fabric shelves and get crackin’ here’s some background on this pattern.

This is a published picture of the quilt, circa 1855 from New York State.  In the notes they allude to the quilt looking like “Lollipop Trees.”  But McLean’s quilt is titled Lollypop Trees, a different spelling.  The original is basically done in three colors: an olive green, turkey red and deep green, and a zig-zag border.

McLean’s version.  You can see some overlap in the design, which I really like.  It’s interesting to have the origins of a quilt paying homage to the past; however, with the use of Kaffe Fasset fabrics, it’s become a different quilt entirely.

Here’s a view without those borders–a twist as well, because of the use of more solid fabrics.

This quilt is huge–nearly queen-sized.  Hmmm.  My friend Rhonda (who is doing this at the same time) suggests we choose our favorites and made it smaller.

This one is not 16 squares huge, but only 12 squares.  I like the use of the circles in the border, apparently a design taken from another McLean quilt.  This size gives the punch of the large one, but it more suited to what I want to accomplish.