200 Quilts · Quilts

QuiltCon Prepping Fun

block printing class sampleTool Roll_3c

Since I will taking a class from Lizzy House on Block Printing (see random sample from web, above), and since I decided I’d had enough of “have-to” sewing, I wanted to just whip up something fun. . . like a tool roll.

Tool Roll_2c

Here it is, fully loaded.  I had some leftover canvas from making bags for grandchildren, doubled that, then stitched on wee pockets for my tools.  Oh, plus a flap for rolling over the tools and a tie.
Tool Roll_1c

Empty.  It’s in the bottom of my bags that are all packed up for QuiltCon this week:

Packed for QuiltCon2016

Focus_sideview

I’ve been working backstage on a quilt to bring to the kind folks who asked me to make a further-backstage quilt for their market booth (pictures of that one coming in May).  But I wanted to have something for them to show off their fabulous new line of solids, called Painter’s Palette, so I put together this smallish quilt for them to have in their booth at QuiltCon for everyone to put their hands all over to feel the nice hand of the fabrics.  I call it Focus, and soon I’ll put up a free pattern on Craftsy for it.  Just not this week.

Focus_front

Focus, quilt #158
Approximately 38″ by 42″

Focus_front2

I quilted it lightly, because heavy quilting changes the texture of a quilt, sometimes obscuring the “hand” of the fabric.  Since it can be hung both ways, I had to construct a rod pocket that could go both ways.

Focus_back

Focus_label

See you on the backside of QuiltCon!

Oh Christmas Tree QAL · Quilt-A-Long · Quilts

Oh Christmas Tree QAL–Step 1

2XmasTreeFeb

I’ve been busy shopping for wools, wool felts, felted wools and all combos in between.  See below for an explanation of what they all are, although you’ve probably figured it out by now.  For those of us just joining in, the first step we did was to prepare by purchasing the Simply Moderne issue #3, which has the pattern we’ll be using; we also purchased all our supplies of wools, threads and fabrics.  It’s never too late to join, just look for the Oh Christmas Tree QAL tag at the bottom and click to locate all the posts on this blog (plus a wee giveaway to reward you for wading through all this).  We are also on Instagram with the tag #ohchristmastreeqal.

Let’s talk about wool, specifically FELTED WOOL and WOOL FELT:

Wool sweaters felted_1 Wool sweaters felted_2

I found some 100% wool sweaters at the thrift store, threw them in the washer with three tennis balls and an old tennis shoe, then dried them.  This process — using hot water, soap and agitation — is called fulling, with the result of felted wool.  I did that twice.  You can see in the top the difference between the two sweaters (they were originally the same size); however, one is called a “washable wool” so it won’t felt.  Some felted more evenly and better than others, but all of them looked like they could fit a toddler, even though they started out as an adult-sized sweater. I plan to use some of this newly felted wool with my flowers and birds.

You can also do this with 100% wool woven fabric.  You want it to felt down evenly so it is dense and won’t ravel.  Many of you purchased already felted wool and are ready to go.  Primitive Gatherings recommends using Steam A Steam 2 on the back to really stabilize the woven felted wool when you are working with it.  If you have tips on working with felted wool, please leave comments on this post, where others can find the info.  Many comments have already been left on the initial post on IG, if you want to look there.

I’m using what Wendy Williams recommended: 100% wool felt, which is that flat stuff your grandmother used to buy in the dime store to make toys, but is now available only in specialty shops (see previous Oh Christmas Tree post and the links below).  Felt does not fray when cut and is extremely stable, although it does shed a bit on first cutting.  It is wool fibers that have been felted together, and is not woven, nor knitted (as in the two examples above).

Try to keep these two terms separate in your mind: wool felt (which is what I’m using) and felted wool. There’s a few more links at the bottom of this post for more reading.ohchristmastree1_supplies ohchristmastree1_supplies2

So these are my supplies (top) and some medallion fabrics (bottom).  These fabrics have a circle pattern in them with fairly ornate decorative motifs inside.  Wendy uses them with her wools to add some flair, especially when creating the circles.

ohchristmastree1_2basefabric

I cut my background fabric, and I added about 1 1/2 inches to the measurements because I’m a chicken about these sorts of things.

ohchristmastree1_2csoftcrease

I took the fabric to the ironing board and ironed in a soft crease.  Don’t overdo it.

ohchristmastree1_2bmeasuring

 

I labeled the crosswise branches on the feather tree in the right margin of the first diagram, which you can see in the red box, and following their directions, and put pins along that soft center crease to know where to place things.

ohchristmastree1_1deciding

I cut first one strip of blue (lighter) and then the dark one, and couldn’t decide between the two for my tree.  So I laid out all my supplies on top of the strips.  I liked the country French blue, but decided, finally, that the darker would bring more contrast to the finished quilt.

ohchristmastree1_3acuttingI cut the long center strip, using the measurements in the pattern.  She asks you to taper the wool at the top, so I put a pin in the middle, then measured and placed others.  I angled my 24″ ruler from that middle pin to the outer edge of the center and cut away that wedge.  I didn’t cut enough on the first time, so did it again.  I also cut the top a wee bit larger than she asked –just a bit–as I like the look of it.

ohchristmastree1_3bcutting ohchristmastree1_3ccutting

I also cut these crosswise branches a scant 1/8″ larger, especially on the top branches (I have one more set to go up above) and I’m glad I did.
ohchristmastree1_4apinning

I laid them out on my fabric, using the soft crease and my rulers, in order to get them on the fabric straight.  You don’t want a tipping Christmas tree!  I also used the 24″ ruler as I pinned each set, as the wool will bump up against it, helping you get it on perpendicular to your tree trunk.  I was able to get it on fairly straight that way.ohchristmastree1_4bpinning ohchristmastree1_4cpins

Although I initially pinned them by putting the pins parallel to the crosswise branch, I soon found that it made the wool and the fabric buckle, so I shifted to this method of pinning.  Pin a LOT if you are using felt.  If you’ve used the wool backed with Steam-A-Seam, it will be tacky on the back and it will be easily positioned.  The felted wool people will then go to their ironing board after the first pinning step and press it down.  As Primitive Gatherings notes: “Keep your iron moving at all times so you will not scorch your wools.”  Wool is a natural fiber and can burn and scorch, but you might try using a lightweight pressing cloth in order to protect the wool and not give it a “shine” from too much pressing.  (That’s my college Clothing and Textiles degree being put to good use–thank you, Mrs. Dimas, for your tailoring class.)

ohchristmastree1_7holder

Now start stitching.  I put my ball of pearl cotton in this little holder and boy was that handy.  You can buy one from Bird Brain Designs. (See below for how you can win a couple freebies for yourself.)ohchristmastree1_8stitching

Start with the crosswise branches, and do a close backstitch on them.  I did mine right close together along the branches, like the top example:

backstitch

(from *here*)
You can do a search to find out how to do a backstitch, which is where I found *this* quick YouTube Tutorial.

ohchristmastree1_8astitching

I butted my ends of the crosswise branches together under the main tree trunk and stitched, lifting the “trunk” as I went underneath.  I also tried it with the edges just under the edge of the trunk, leaving a space between them, but felt it was more stable with the wool tucked in further.

ohchristmastree1_9dblthreadsI did an expanded backstitch going up the side of the tree, leaving a space in between each stitch, using two separate threads (one for each side) as I went up.  I decided to sew the tree trunk as I finished each branch, so it would feel quicker to me.  The whole stitching down of branches and trunk took the better part of a morning.

ohchristmastree1_stitches

I have this on high-power magnification on my camera.  I  promise you NO one is going to look at your stitches this closely, so if you make a mistake or it’s not quite right, don’t fret. This whole tree is in the folk/rustic flavor so an imperfection adds to the charm. You can see that I did a closer backstitch on the crosswise branches and an expanded, or open, backstitch on the trunk.  It was easy to stitch.ohchristmastree1_treesewn

Ta-DONE!

ohchristmastree1_tracingSince we always want to prep up for the next step before leaving our project, I’ve also added to this step the tracing-off the patterns for the flowers and the birds.   I’m using freezer paper, as it can be ironed onto my felt and used multiple times.  There are a lot of circles to cut out of your paper in order to prepare.  I’m using Kay Buckley’s Perfect Circles, matching up to what’s on the pattern and tracing around them.  (Yes, I punch holes in my bigger plastic circles so they won’t warp and buckle under the heat of the iron when I use them at the ironing board–the heat and steam can escape through the holes.  I sometimes also mark the center, which is what you see here.)

ohchristmastree1_tracing first steps

I can use the inside of a Perfect Circle to trace those teeny circles in the middle (inside the green square in the first photo), or a spool of thread, if there isn’t a Perfect Circle to match up with what you are doing.  I labeled each circle on my pattern with a master number and an inner number, as in 1-1, 1-2, 1-3, 1-4 so when I cut them apart I know which goes where.  I placed them all in plastic bags.

ohchristmastree1_tracing4

For the birds, I labeled them, drawing a dashed line where it crosses the main pattern piece (or is tucked under), added another piece of freezer paper to it with glossy sides together, and stapled them once in each major piece.  I’m not ready to cut them apart yet, as I’ll do that in April, when we do birds. Pay attention to where she says to reverse the bird patterns.  If you want to, you can also start cutting your circles out of your wools and felts and fabrics (if you are using fabrics).  I realize that things often change as we start stitching the flowers and birds (the under-tree scene will come later), but it’s helpful to get going on this step.

ohchristmastree1_tracing5

It’s all tucked away, waiting for next month’s step.  Here are the steps again:

January, Step “prepare”: buy the magazine, gather your fabrics, buy the felt/wool, buy/find the pearl cotton.  More about that in a minute.

February, Step 1: Make the tree on the background and stitch it down.  If you use wool felt, she has an easy appliqué method. Prep up the circles by tracing them and organizing them together.

March, Step 2: Make 21 flowers.

April, Step 3: Make 10 birds.

May, Step 4: Make the scene at the bottom.  Wendy’s pattern (IG: flyingfishkits) has two cavorting reindeer.  I plan to switch mine out to a simple nativity.  Your choice.  (If I were you, I’d also start haunting her IG site as she has lots of great embroidery ideas for the flowers. I’d also consider buying her book, Wild Blooms and Colorful Creatures, for more tips and helps.)

June, Step 5: Appliqué down the flowers.

July, Step 6: Appliqué down the birds and the scene.

August, Step 7: Sawtooth border (reds).

September, Step 8 (finish up Quilt-A-Long): Make wonky star blocks, sew them together and attach border #2.  Ta-Done!  I just have to deliver you here.  You are on your own for getting it quilted and bound.

We’ve done:

1Xmas Tree and now2XmasTreeFeb

 

 

 

 

 

 

I’ll post Step Two on March 2nd.  The second day of the month will be our regular posting day from now until we finish, and I’ll also put a reminder up on Instagram.

3XmasTreeMar

Some blogposts that have tips for working with wool:

Fresh Figs

Black Mountain Needleworks

American Pie Designs

Molly and Mama

To enter the giveaway for TWO perle cotton bubbles, leave a comment below. I’ll choose someone by Friday and get them sent out to you by next Monday, just as you are ready to start sewing your trees!

 

200 Quilts · Four-in-Art

Friend and Foe: Four-in-Art Challenge • Feb 2016

FriendFoe_front

Friend & Foe
Quilt No. 156, February 2016
#1 in the Color Series: Microscope

We have a new year and new members (see below) and a new theme: Color.

TaxolMicroscope1And this quarter’s challenge was “microscope.”  So of course, I started haunting microscopy sites, trying to find the right molecule to make for this challenge.  And it had to be colorful, right?

I recently had two friends diagnosed with breast cancer, and one of my other friends, Heather, is a long-term survivor of Stage IV breast cancer.  I knew Taxol was used to combat aggressive cancers; so wrote to my friend Heather (also a professor in biology) for her reaction to that drug.  She went through all the sciencey stuff, but I kept asking “Friend, or, Foe?”

Finally she wrote: “Foe during the treatment.  Friend for the result.”

Taxol assemblage

For something that causes such horrible side effects in the treatment, the molecule is this lovely spherical shape, with the innermost parts looking like four petals of a daisy, or an airplane propeller:

taxol

Of course, I can use any color I want — right? — so I decided to use periwinkle as the background, with magenta and purple as the parts of the molecule.

FriendFoe_1

I constructed the bit I wanted to by paper piecing, then plain-old-pieced the rest.  I stitched it to a white square, then a chartreuse square, as the purple was just lost on the quilt, plus it imitated the circle around the molecule.  I made different sizes of different fabrics, then finally, small circles.  Then came the arranging: FriendFoe_2a FriendFoe_2FriendFoe_2c

FriendFoe_0

Using a font like Simone used two challenges back, I printed it the words on freezer paper in my inkjet printer, then cut out each letter.  I didn’t cut out the centers, but just free-handed that when it was time to quilt around them.

FriendFoe_0a

FriendFoe_3cFriendFoe_3

I first outlined the letters with small free-motion quilting stitches, then started stippling around them.FriendFoe_3b FriendFoe_3a FriendFoe_4

I mean, I had just taken a class with David Taylor and if I didn’t know how to stipple now, I never would.  I decided to leave the edges raw on the white and chartreuse fabrics to bring a little organic texture to the process.  All the while, I’m thinking about the women I’ve known who have breast cancer, and while I stippled I sent them –and continue to send them– good karma for a long and happy life.

FriendFoe_back

The birdcage fabric reminded me of that upper drawing of the sphere of Taxol, plus I liked it.
FriendFoe_frontupsidedown

I had originally planned to have the quilt go this way: with the “friend” part first, but then I remembered what Heather said, and I realized that the Foe was first, then Friend.  So I switched it around (correct orientation is at the top of the post).

science hallway

We went over to my husband’s work (he’s a professor at the local Big U) and I loved this picture of a real “science” hallway, with all the faculty’s posters of their results (shown at meetings) hanging along the hallway.

DAE office

This is his office, and why he never cares if my sewing room at home is a mess.  Thank you, dear.

Taxol Butterfly Duo

Simone and I at church, holding our Four-in-Art quilts.  I am happy to have found such a fine group of quilters to make art quilts with.  Bet you are wondering what Simone made, right?  Please visit the rest of our group, to see how they interpreted Color: Microscope.  We also have a blog, Four-in-Art Quilts, where you can find us all.

Betty         https://www.flickr.com/photos/toot2

Camilla         http://faffling.blogspot.co.nz/

Catherine         http://www.knottedcotton.com

Janine         http://www.rainbowhare.com

Nancy         http://www.patchworkbreeze.blogspot.com

Rachel         http://www.rachel-thelifeofriley.blogspot.com

Simon         http://quiltalicious.blogspot.com

Susan         http://patchworknplay.blogspot.com

And Susan just announced next quarter’s challenge: Music.  Reveal is on May 1st, 2016.  Can’t wait to combine both music and color together.

˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚

Occasionally my blog software places ads here so I can blog for free.  It’s a good trade-off.  I do not control the content, nor frequency, nor receive any money from these ads.

Quilts

Spelling Bee Begins • January 2016

Making Words_4

Sometime ago, I hatched an idea of making letters and words and ideas up in cloth.  Not a new idea, but just one that emerged from the morass to capture my attention, I’d say.  Getting a few friends to join me in this endeavor was the easy part.  I set up a blog, Quilt Abecedary, where I experimented with making letters free-form, teaching myself as I went, failing and succeeding, jumping off my comfortable quilty cliff.  That done, I wondered what to choose for a theme.

woman cooking_2

My first thought, and the one that lingered the longest was to do a series of words around the theme of “Someone’s in the Kitchen with Elizabeth” — verbs like bake, roast, chop, sauté and so forth.  I have a recipe blog, Elizabeth Cooks, so thought to add that blog address to the mix.  But somehow it just didn’t seem satisfying, as I couldn’t just settle into it.

Saying w:o names

I made my parents an embroidered sampler some years ago with a lovely saying celebrating their marriage:

When the one man loves the one woman and the one woman loves the one man,
the very angels leave heaven and come and sit in the house and sing for joy
The interesting thing about deadlines is that they force you to a decision, whether or not it’s the “perfect” one. And this idea–of making a Valentine’s quilt — resonated with me.  For better or for worse, my marriage is the key to my happy life, and I wanted to celebrate that idea with a Valentine’s quilt.
Spelling Bee Fabrics
I chose a range of reds to dark pinks in all shades, with minimal patterning, with creamy whites to light pinks to serve as the background.  I’ll mark our progress as we move through this one-year commitment (the bee will disband at the end of the year).  My beemates will choose their words and I’ll make the rest.  We’ll pop up now and again on Instagram at #spellingbeequilt.  We have no blog or Flickr site as it is only a year-long project. If this idea piques your interest, drop me an email with a photo and I’ll share your words on here, too.
Happy New Year
Since tonight is New Year’s Eve, I thought it was a good way to celebrate the New Year by trying something I hadn’t tried before.  I was quite struck by something my nephew’s wife posted today on Instagram.  She wrote that she’d seen babies born, a friend’s wedding, job losses, and sadly, buried a brother; she summed it up by saying “So much great that I want to remember forever and so much heartache I hope I never know again.  Goodbye 2015, you have made your mark.  And now on to 2016, I have so much to tell you.”
She echoed my feelings exactly.  I’ve learned a lot this year, working through my Lost Summer of surgery, continuing health problems and had to come to grips that every time I look in the mirror I think of more of my grandmother than I do those pictures of me as a young woman. But I’ve had the sweetness of my husband’s company during this time, good friends who rallied round, lovely readers of this blog (many of who have become good friends) and lots of new quilting opportunities to enjoy.  So, to echo Casey’s words: Goodbye 2015, you have made your mark.  And now on to 2016, a clean slate, full of hope and plans and big challenges.
Happy New Year, everyone!