Field Flowers • Quilt Finish

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One of the challenges of finishing a quilt is figuring out where to photograph the thing.  So one night last week my husband and I went over to University of California-Riverside (UCR) to find some places that would set off the two quilts I was toting around.

I’d originally thought about the Botannic Gardens, with all their lush greenery and wooden benches; I’ve snapped photos in this place before, and Field Flowers, with its scalloped edges is so old-fashioned looking I wanted to head there.  It was closed.  As we walking back to the car to leave, I spotted this old greenhouse.  UCR is noted for its agricultural emphasis, as we breed a lot of the oranges you are eating now (Cuties, anyone?).  This greenhouse seemed the perfect place, for my husband, with three broken ribs, to be able to hold up the quilt.  (By the way, he has a Qh.D: a doctorate in Quilt Holding.)

Renaissance Figures Holding Ladybird

I also recruited two bystanders from the museum in Berlin to help me show off Field Flowers. Although their expressions are a little wooden, they held it in place without moving, so I was able to get a good photograph.

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The center of this quilt was quilted by my regular quilter, Cathy of CJ Designs.  She left the basting in the borders and then turned it over to me to finish up those scalloped edges.  Since the pattern is by Sherri McConnell of A Quilting Life, I knew she’d have good ideas of how to finish the quilt, so I pretty much mimicked what her quilter did.  More information about the pattern can be found on *this post.*

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I followed Sherri’s directions for cutting bias binding, but used a 20-inch square as I’d added more hexies to my quilt.  I needn’t have, as her directions would have provided enough length.

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The single fold binding went smoothly around each curve, and didn’t add too much bulk.

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Earlier that day, we’d gone over to Gless Ranch, a local purveyor of oranges, as they had old farm equipment around their property, and lots of (newly trimmed) orange trees:

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Still my favorite place.

 

When we got home, I noticed it had gotten dirty from traipsing around, so threw it in a cool-water wash with a couple of color catchers (first invented in the UK, by the way), and dried it until almost dry on a low heat.  Like all other quilters everywhere, I love how the washed quilt looks (although I also like unwashed quilts).  Lay flat to dry, so there is no transferring of ink to other damp spots.  (As me how I know this.)

Field Flowers_6Field Flowers_6a

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Me, standing with Field Flowers in a field of ferns.

Happy Photographing!

Field Flowers • Top Finished

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Field Flowers (quilt top only)
69″ wide by 74 1/2″ tall

I took it out in the backyard for some photos, easily done with my new quilt stand.  It’s very satisfying to look at this, noticing scraps of fabric here and there that remind me of different quilts and times.

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The pattern is Flowers for Emma, by Sherri McConnell, and like a true A Quilting Life pattern, it’s easy to follow and a lovely design. [You can also buy it at Fat Quarter Shop.]  I’ve already tucked the completed quilt top away in the closet, awaiting its quilting (at some time in the future).  I added a couple of extra rows and a couple of hexie blocks to lengthen out each row, wanting it a bit bigger. Field Flowers_start.jpg

Here’s where I started, a year ago on April 25, 2018.  Nice to be at the “finished top” stage.

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I’m calling this Field Flowers, as each petal of my hexie flowers is small, and contains  visual treasures, like this vista of wildflowers in bloom on the hills around our city.

These are all closeups of small flowers at my feet: pops of color that delight.  So instead of a “Field of Flowers,” I chose “Field Flowers,” a different connotation entirely.

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Field Flowers_being photo'ed

Backstage, after the fans have gone home.

tiny-nine-patches

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The spring equinox supermoon is tonight. Don’t forget to look!
(You can also see it tomorrow night, too.)