Giant ideas? Giant bugs? Giant fabric stores? Giant mounds of laundry?

Sometimes we like giant things, like big spaces, big bowls of our favorite desert, big travel trips that include The Very Large Array. Other times, we don’t: huge messes that we have to clean up, massive surprise expenses, big insects, a huge amount of bumper-to-bumper traffic, or hurricanes. It’s like we know that some leaps of fancy and expressive gestures bring exuberance, excitement, joy, like standing next to a really tall sunflower in a field of yellow in the south of France. This big, we like.

Standing next to the heap of stuff we just dragged out of the garage and now have to sort and put it back in? Or the downed trees and aftermath of a storm system on our corner of the world? Or a task we’ve been putting off and putting off that has gotten ginormous in our imagination? Maybe not so much.

We like Big that we choose. We like Big that takes our breath away, like the Grand Canyon, or a sunset that stretches for miles across the New Mexico desert. We like Big where we can stand on our own solid ground and meet that idea or sight or brilliance, while not being swept down a canyon in life-threatening rushing water. As Arash Javanbakht and Linda Saab note “When our “thinking” brain gives feedback to our “emotional” brain and we perceive ourselves as being in a safe space, we can then quickly shift the way we experience that high arousal state, going from one of fear to one of enjoyment or excitement.”

Consider The Lilies of the Front Yard, quilt number 51 • March 2003

However, I’m more interested in the brain shift needed to think Big. I remember taking a class with Jane Sassaman once at a guild retreat, and she was encouraging and lovely. I have always done better with small-scale projects, but in Sassaman’s class I got busy creating the wildest thing I could, as I greatly admired her quilts. She strolled around the class and came to help, when I raised my hand, stuck as I was on the design in front of me.

“Can you go bigger?” she asked. “Really make that lily jump out of its place? Get those leaves to look slightly menacing?” I’ll try, I said. Alas, I could not. Did not.

One website offers up that large-scale art is a way for the artist “to express themselves in a way that is unique and personal” and that “[l]arge scale art follows the tradition of monumental masters like Botticelli, Rembrandt, Monet, Picasso, and Klimt. Especially popular in the 18th century, it was used to depict scenes of history on large scale wall art. Thus, for its sheer size and themes, this type of painting was considered “more important” than portraiture, still life, and landscape.”

Well, I don’t know about all that, but I did make a few giant flowers, gave them a latticework frame and a blue-sky border.

So maybe all I have to say today is to do something big.
You might surprise yourself.

Giant Flower pattern found here.