Patterns by Elizabeth of OPQuilt · Quilts · Sawtooth Stars · This-and-That

This and That • January 2026

I used a new-to-me number generator, rolling electronic dice and it came up with number 10. So Karen, you are the lucky winner of the pattern. I’ve already emailed you and we’ll get the pattern sent off. And just like a roll of the dice, we are off and running into this New Year, and I’ll start with a This and That post, as I’ve been saving them up for a while.

There always seems to be a pile of tips for the New Year, whether or not you are one to do resolutions. I prefer to think of these as tips for getting started on a road trip. How about these:

I thought some Route 66 stamps — which will be issued this year in honor of The Mother Road’s 100th birthday — need to join my stamp stash.

Head to the Route 66 Centennial website to see calendars, and to get your merch.

And these! Confession: I like small square things, like quilt blocks, stationary items or stamps. Always in our house we have stamps for about 300 letters because I love stamps. I saw some of Harriet Powers’ quilts when I traveled back to Boston, and met Carol there at the Museum of Fine Arts-Boston. Good memories.

Speaking of roads, did I mention I had two quilts accepted to next week’s 2026 Road to California quilt show? The quilts’ split portrait is above, in front of a local modern building I love.

I’ve had some great correspondence with Beth R., and she sent me a couple of her quilt photos, which I really enjoyed. I’d asked about them because she’d done some squircle blocks, and I was interested in her process for her quilt. She wrote:

“One of my favorite new things to do is when I make a more “regular” quilt, like all Log Cabins or all Courthouse steps (albeit wonky improv versions, with lots of scraps) is to make improv blocks at the same time as I am making the “regular” quilt, with the offcut smaller pieces that don’t fit into that regular design, and I just set them aside at the time, each day while I am making that “regular” quilt, to “clean up” the scraps of the day. Then as soon as I get the current “regular” quilt bound, I begin the very next quilt starting from those improv blocks, and add as many more blocks as I need, of the same/similar colors.”

I thought this was a really great idea, and also thought of my stuffed-to-the-max orphan block box, and how much easier it would have been to follow Beth’s ideas. I’m putting this out there for everyone else; thank you, Beth!

In browsing the news, I came across an article about Sue Bender, announcing her death. I still have both of Sue Bender’s books on my bookshelf. As a quilter who has done her fair share of Amish-type quilts (and recognizes that they were the genesis of today modern quilt movement), we quilters owe Sue Bender a thank you for bringing an understanding of those communities we might not ever visit. I have since ordered the third book in the Trilogy, Stretching Lessons, and was happy to see it was a signed, first edition. I hadn’t looked at Everyday Sacred in a long while, and I had forgotten that it was given to me by my parents, my Mother’s inscription on the fly leaf reminding me.

From the New York Times article (gift link, above):
“She wrestled with the tension between being a woman who hated housework and defined herself by her artwork and professional achievements, and her desire to internalize the Amish sense of identity that came from community, godliness and manual labor.”

One of my Amish-style quilts, from 1986

from Plain and Simple:
In writing about her To-Do lists: “I never thought to stop and ask myself, “What really matters?” Instead, I gave everything equal weight. I had no way to select what was important and what was not. Things that were important didn’t get done, and others, quite unimportant, were completed and crossed off the list” (p. 7, Bender).
“All work is important. All work is of value” (p. 138, Bender).
“What really matters?” (p. 148, Bender)

from Everyday Sacred:
” ‘Art is order, made out of the chaos of life.’ Saul Bellow” (p. 2, Bender)

Maybe a little bit too far back into the past for some, but it is lovely to read IN a time where the author wasn’t living with the instantaneousness of social media and the internet, but took the time to think about what she felt, and how she wanted to work. I find so much of the time I’m reacting to what is going on around me; certainly we live in an era of in-your-face politics and news. But the last few nights I’ve immersed myself in her writing and in her thinking, and it’s helped me cope with the terrible news we’ve been having this week (I’m not linking to it; either you know about it or you don’t).

I was struck by what many of you mentioned when you left comments last week. It was your relationships with your people, for one. Others had ways to keep their proverbial chin up and I especially liked Mary’s: “Look for things to be happy or hopeful about instead of focusing on the parts of our world that are going to hell.” Yvonne mentioned “dark chocolate” (a woman after my own heart). Kit reminded me to “Don’t rush. Enjoy. Life is not a fire drill.” These were just some of the tidbits of wisdom and slivers of your thoughts. Thank you all. (And I just appreciate Sharon’s illustration, even if it is from a couple of years back.)

I found the downloadable chart to be informative. Here’s the link. Thanks, Bob!

Zeitgeist is one of my favorite words. It’s that description when something is just all around you, and you see it different places, but they are not the same thing. Technically, it refers to history, but I use it more colloquially. Like the following two things. First, mine, from our Covid Year, 2020:

and then what I did with the rest of my ideas:

Twenty-three different types of Sawtooth Stars.

Now one from 2025:

Same idea, different execution. It’s in the zeitgeist.

I called mine Sawtoothmania, because it was kind of a like a celebration of Sawtooth Stars. (And weren’t we all a little manic in 2020?) I just put my pattern on sale and you can get it from now until the end of January for 25% off. I had a very nice birthday last week, so consider this my gift to you if you want to make some fun stars. And if you want Leila’s pad of stars, well, you have her name and will be able to find it. (She’s very nice.)

In other construction news, I finally made good on my threat to dump the 50-year-old “workbench” table (left) and replace it with something more modern. Of course, my timing was great as we don’t use much more than a screwdriver and a hammer these days, but hey: we’re equipped. The bulky item trash people have already been called, and will be here shortly to haul a lot of that junk away.

Found this message from the Workbench Gods while cleaning out.

New Year’s service at the local car place. Still working on my squircles. It’s fun to see these on Gladi’s blog, too.

I’m getting together some lists of blogs I like to read–starting to write a post about that. If you have a blog you enjoy, drop me a comment with the name of the blog, and maybe a link to one of your favorite posts. Thanks.

Truly, it was only a matter of time until AI found me; I love how the system just makes stuff up. Hope they enjoy hoovering up all of my blog and creativity! (I am working on my Aerial Beacon pattern.)

For my birthday, I asked for three things: a trip to IKEA to buy bins, a stop at Tokyo Central to have lunch, and a final check in at Whole Foods. All of these are about an hour away from our house. Do I like Hokka biscuits? (shown above) Can’t say they are my favorite, but since I am a box sort-of gal, I loved their tins.

Happy Birthday! Happy New Year!
Happy Great Food at the Tokyo Central Food Court!

(still quilting this)

Carrefour Quilt Show · European Patchwork Meeting · Quilts

Carrefour II: Lois Parish Evans, Ina Statescu, AFHAM, and ValPatch Quilters

This post covers:

• Venue 2: Osmont Pavillion, with Lois Parish Evans
• Venue 3: Église St. Louis, with Ina Statescu
• Venue 4: Église des Chaînes, with the French Ananbaptist and Mennonite History Society (AFHAM)
• Venue 5: Temple Réformé, with the ValPatch Quilters

I have a main Carrefour Quilt Show page that lists all the posts of all the meetings I’ve gone to, and includes the posts from this year too.

Lois Parish Evans, a quilter from New Zealand, has the skills to make a small, densely quilted piece come alive with design and stitching. I included the title cards after each piece to provide her thoughts and techniques. I also loved the way she finished the edges of some pieces: with blanket stitching, instead of traditional binding.

If you want to see further details, click to enlarge the photos.

I loved the festive colors in this mandala. And the next one is a veritable horticulture index, with all the different shapes of leaves…but still in reds and greens.

I was also intrigued by the insertion of thread lace in some of the cutouts. The title of this is Red Alert For Going Green. She writes: “We are at a critical point for going green. Using a variety of green leaves as a symbol for nature, against a red alert square and with some ‘dissappearing’ leaves, I have sought to portray the strength of the danger that our planet faces. Red alert means it is time to take action.” This was made in 2020.

Leaves? Trees? Reflections?

Reflected Light, 2022

Even though she was working in a series, the two pieces project different moods, given the colors.

I thought the use of hand-stitching completed all the machine stitching, especially that teensy meander in the background,

I fell in love with this one.

Her use of repetition, and drawing the trees in geometric shapes only enhances the feeling of being in nature.

Click to enlarge the photo on the left to see the complete mandala.

A different kind of small quilt, this time, with fabrics on a black background.

It’s easy to see that her attention to detail really elevates this work of art. I love the wafting of the breeze, the feathers on the fronds and the intricate reflections of the rock.

Her work is timeless, and intriguing. I realized that working in small scale can really open up ideas that would simply be overly repetitious if done in a large quilt (like all the stippling, or the hand stitching). It was a pleasure to meet her!

We come out of the Osmont Pavilion (Venue 2) and head up to Église St. Louis. I’m very appreciative of their good signage!

This is one of my favorite venues, with its beautiful stained glass art, in a light and bright old church. Ina Statescu, a Franco-Romanian artist, is exhibiting here. She uses a variety of shapes and materials in her artwork. Before we get to some of the smaller pieces, let me show her main work, up near the altar area.

I think my husband shot this photo (he’s taller), or maybe he did the next one. All I want to say is that he was a partner in picture-taking, throughout all of Carrefour.

Title card for Chemin de Lumière, which translates to Path of Light. Notice it took her four years for this one, and while I can’t give you complete detail (we were roped off from getting closer), here are a few detail photos:

Click to enlarge. Her technique is so interesting, with longer and varied threads and intricate embroidery.

Many of her quilts just had numbers on them, without title cards.

Please forgive the cell phone shadows. This coloring is very subtle, but exquisite.

Many years of people ascending to the choir loft bring a patina to the stairs.

Her colors are not contrasty, nor vivid, but are quieter in their intensity, such as the yellow and green pieces, above.

Saints watch over the quilts (one of the perks in exhibiting in a church, I suppose), the one above being St Therese of Lisieux. (A reader wrote to say that her brown habit is the clue.) I love the juxtaposition of the more traditional church iconography and art with the contemporary quilts.

In some ways, Statescu’s pieces remind me of Rothko, with great fields of color.

Then out we go into the sunshine (it was a fairly hot day) to head to the next location.

This church is just down the street, and holds the exhibit for the French Ananbaptist and Mennonite History Society (AFHAM), a society dedicated to the Anabaptists and Mennonites from France in honoring their heritage and past. It traditionally exhibits a large collection of traditional Amish quilts, and this year it carried on the same.

Love those red ceilings!

An exhibit at the front, with more traditional quilts. I would have loved to seen that variation on a churn dash hung up, as the subtle color shifts were fascinating.

That quilt is just made more interesting with that lower right variation. (Did they run out of cloth?)

Facing the organ loft.

To honor their Anabaptist/Mennonite heritage, at the Carrefour main building they had this buggy, with sheaves of corn.

Out the door to Venue 5, the Temple Réformé, another church. I include these photos of the town just to remind myself I’m in France, in a series of small towns and at a quilt show!

We walk down, and hang a right at this driveway.

ValPatch is a local association (the visitor’s guide says) “from the Silver Valley (Val D’Argent)” which is comprised of the the towns Sainte Marie-aux-Mines, Sainte Croix-aux-Mines, Lièpvre, and Rombach-le-Franc. Twenty friends “regularly meet up and share their passion for all textile arts. Some of the members have been quilting for over thirty years. They all have different backgrounds and experiences in the textile industry, which leads them to make pieces in a variety of styles” (from show catalogue).

I love this group, and was happy to see they were selling small items for sale. I bought this little owl and Michelline, the maker, agreed to pose for a photo for me.

Owls were their theme this year, with the focus being on autumn.

I loved seeing what the quilters in this area were making. I used to belong to a group here of about 20, but we have dwindled down to just a handful and no longer meet together. (I miss them!)

A happy, convivial group!

Now, out the door and onto the next venue which exhibits the SAQA collection, and others. It will be in the next post about Carrefour.

Hope you all had a lovely Thanksgiving, if you celebrated, and are ready to think about your end-of-year sewing and parties and gifting and surviving the holidays.

How many days until Christmas? (I don’t think I want to know!)

Michelline’s owl

I did some more decorating:
Stella di Natale is up, along with a tiny quilt (free pattern for this).