New York Beauties · Patterns by Elizabeth of OPQuilt

Cool Rays • New York Beauties Block 2

After leaping around the line-up, we return to Block #2, but instead of the more traditional sew-it-in-rip-it-out, it’s made with freezer paper. Apparently this method is the hot new tutorial/class/method, and you could do a search to find a class if you want, but I still think that first block I did with freezer paper will help you get started. And more tips are on the second block I tried, too.

The Bizness: Since I’ve had this quilt in mind for a few whiles, the whole gamut is grouped together under the New York Beauties tab, above, and that’s where I’ll put most things. The pattern, however, resides at my pattern shop, as does the free handout that lists all the colors of Painters Palette that I used (it’s called the “Preview” on my pattern).

For Cool Rays, I decided to do a gradation of color (popularly called “ombré” these days) in the background behind the rays, so I picked out a range of greens, trying to keep the color changes smooth and in the same color family (a more yellowy-green than a bluey-green).

I used the method of trimming a sheet of freezer paper (off the roll) to about 8 1/4″ by 10 3/4″ and taping it to a piece of cardstick, or equivalent heavier paper. Then I sent it through my color printer, using the rear feeder for a glide path that doesn’t ask the paper to double-back on itself. Cut the pieces out, and you are ready to go. I can get five uses out of one pattern-printed-on-freezer paper, but for this block you only make four.

Hand-crease on all the lines, working from the printed side, then re-crease them from the back.

Keep trimming those seam allowances to slightly less than 1/4-inch. Again, refer to the blog posts linked above for a more detailed step-by-step version of how to use freezer paper.

Trim around the completed section, around the freezer-paper pattern. You’ll be left with four stacks of rays. Seam them together, matching up the red dashed lines. It helps me to line them up in the way they’ll go (on the right).

After using the tip of my iron to press in the marks of where to line up my pieces, I lay them out.

Pinned and ready to sew.

I pressed away from the light center quarter-circle on this one. On other blocks, I’ve pressed the seam allowances toward the circle, for more definition from the front. Experiment with what you like.

And By The Way Department: I’m so tired of that argument about pressing seams open or pressing seams closed — I just saw it again on another website, and I’m like Leave.It.Alone. There is no right or wrong, but only personal preference. Unless you are making for a group, or in a Bee and the Queen Bee wants it a certain way. Then do it her way.

All four blocks done! Now that I look at them like this, I wish I had swapped two of the greens. Sigh. I can’t even imagine remaking it just for that. The quilt will be fine.

All four blocks with my line of Number Bears, made for when toddlers lived here and I had to keep them quiet in church. The bears all snap together. The guys on the left have “casts” made out of more felt, as one of my kids ripped their hands off with too vigorous effort on the unsnapping of the colorful conga line. (This was in the those old days of mending and repairing.) This hangs around my sewing room, because I can’t bear to get rid of it. My youngest is old now, but I still keep it.

Progress so far. We’ve been making a block about every other week, so far, but the upcoming Eclipse may throw us off.

This website has an interactive link that really zooms in to show granular detail of how many minutes it will show totality in your location. After having done the Annular Eclipse in Utah last year, I know how quickly 4 minutes can pass while you are looking at this marvel. Maybe that’s why I’m doing this quilt? Because it looks like the sun in some ways? I do know that’s why I named the blocks the way I did.

And here’s what I like seeing the best: Status Report, with four blocks finished. The list is on the main New York Beauties page.

Happy Sewing!

300 Quilts · Temperature Quilt

Time is a Dressmaker • Quilt Finish

Faith Baldwin said that quote, and I’ve saved it for ages, waiting to use it as a quilt title.

I started this with a whole new stack of colors than my last temperature quilt, and then even though I’d been fussing about it since January 1st, the intense sewing really didn’t get underway until about March — I was waiting to see if we would have an interesting year for weather. We did, with snow one day and hail another and many rain storms.

While I didn’t want to replace the earlier version, I did love love that quilting. Jen was able to do the same pattern on this quilt, too. It’s more square, has a temperature quilt key on the back, along with a linen tea-towel calendar to show the year. I also added a square denoting made in California. Which it was.

This is quilt #286, and it’s 61″ wide and 70″ tall. Or long. Or high, or whatever.

No surprise that I chose this title for this quilt, as these patchwork triangles mark the passage of time, and by their very color, alter the face of the quilt top. I’m not sure I’m as generous about the marks time has placed on my physical body, and sometimes the alterations of who I think I am can sometimes be pleasant, and other times, painful. I want just enough spice and change in my life to make it interesting, but I don’t want sustaining relationships to wither or change or wilt. Some you can’t get back, like when my father died earlier this year. Other relationships take a bit more stitching and cutting and late-night sewing to become the beautiful garment (or quilt) they were meant to be. Y’all know what I mean, and I’m guessing the marks time leaves on all of us can be wearying. Or gratifying. Or somewhere in between.

We’re planning a trip to see the Eclipse in April, and are trying to find those moments where we can pause time, as Stindl-Rast suggests. And hopefully not in dive hotels, or out of gas at the side of a road in West Texas. Seeing the eclipse will, in its own way, pause time, and will make its mark, bringing a fancy bit of stitching to this thing called life.

I hope the Dressmaker-called-Time makes you the finery you hope for–

(XOXO Thanks, my love )

P.S. Other posts about this quilt:

Temperatures are in the News!
February 2023 • This and That
Filling the Days…with Quilting
This and That: October 2023

…and other posts on Instagram.

New York Beauties · Patterns by Elizabeth of OPQuilt

Shimmer: New York Beauties Block 8

New York Beauty block, Shimmer, by Elizabeth Eastmond

This is not Shimmer‘s first rodeo.

New York Beauty block, a different version of Shimmer, by Elizabeth Eastmond

It first started as “Dazzle” and I liked it, but then I was playing around one night and came up with that bias-stripey-trim on the outer ring, and liked it a lot more. So Dazzle went back in the Possibles File, and Shimmer came out.

I clumped the cut-out freezer paper pieces with their chosen colors and got to work. First up is folding on all those lines, something I learned from my last attempt at this. The really flat edge of the Add-an-Eighth-Plus ruler is lovely for this. (I just picked the first link that came up; there is no kick-back.)

I still use that backwards-fold-it-over method I learned from Verushka, as it allows me to see how big of a piece I need for the next segment. A somewhat confusing (apparently) discussion of all this is on my first freezer paper post. But if you follow along on the steps, you’ll get it.

This is a small ring, the first one, so there is only one section, and the piecing goes quickly. I’ve trimmed it all up. Peel off the freezer paper gently, so you don’t open up any seams.

I always keep the concave side on top, with the convex side on the bottom. In other words, the quarter-circle E piece is toward the feed dogs. I explain it in the pattern.

Two parts finished. It’s late at night, but I was determined to get the block done. Mistake.

Whoops. It’s not supposed to be two blues together.

Luckily, with freezer paper, it’s easier to unpick that if you were using paper in the traditional foundation paper-pieced gig. Got the blue replaced with lavender, but then couldn’t get the two sections lined up. Unpicked that one, re-stitched and kept going. (Don’t you love the dull light at night, even with the best lamps? No wonder I can’t see colors!)

And then went to bed bummed out because I hated it. Moral: don’t sew when you are tired. Duh.

The next afternoon, after the sun had come out from our cloudy/drizzley morning, I decided I liked the light pink and green combo. The outside sections were also working fine, but that it was the middle large rays that were the bust.

So I auditioned new colors for the rays. I also ended up changing out the A piece–the outer corner.

I decided not to take apart the block I didn’t like, but start again, making it over and using the new colors.

I also decided to press the seams toward the colorful wedges, although truly, this fabric is so good it doesn’t much matter, as there is little see-through.

Remember how I showed you I have five points of pinning on those larger curves? One in the middle…then fold the edges in, and mark those where the folds are. That makes five, with the two outer edges.

And here’s the new one. Will I throw away the first attempt? No. Look below.

If you are aiming towards a quilt, make five of the new one. Those, along the first and second blocks we made are on this Progress Chart. It doesn’t much matter that the first attempt is different. These blocks may not stay in this arrangement, but it gives you an idea of where we’re headed.

The new color chart (and the first version of Shimmer block colors) are up on the free Preview at my pattern shop. And everything is organized on the tab above: New York Beauties. I’m thinking that the pace of about every other week suits me. Hope it suits you, too. And no worries if making this is not in the cards at this time. The pattern, and these tutorials will be around for a long while. I’m still getting notes from quilters using my FPP circle patterns, and that first one was from a decade ago.

Okay, there’s another block for you in this New York Beauties Quilt (for Barbara). The pattern coupon from the last post has expired but getting twelve fascinating — but not complicated — blocks in one pattern that costs just a little more than a pastry and a beverage drink is a real deal. Grab yours here and come sew with me!

This-and-That

February 2023 • This and That

I finished all the tendrils and vines and flowers and now just have the center circles to appliqué and so I started thinking, what’s next?

A border with leaves…with flower buds and occasionally not flower buds. This wasn’t my first idea, but it seems to stick. I was hoping my brain would cough up something a little wilder, like Gaugin, or something. I can’t figure out a title for this quilt-in-progress, having gone from Midnight Garden, to Twilight Garden. Which sent me down the rabbit hole of what is twilight?

I wanted a title for how flowers look when the sun has gone down but it’s not yet dark, and it turns out I have three different descriptions: civil twilight, nautical twilight and astronomical twilight. I think I was trying for nautical twilight. Stay curious and read about it here.

What else?

I used to be paranoid about releasing my ideas before they were a pattern [coming soon!], but I know whoever is looking at this won’t steal it, right? But this is how it looked in my head and this is where we are today:

Inverted Log Cabin. Yep, I sewed that last seam, raced downstairs, grabbed Dave and we snapped a photo in — what else is on my brain in this post?–twilight. I’m thinking Civil Twilight.

Now to figure out how to quilt it. I’ve been highly influenced by Christine Perrigo‘s ideas (took a class from her at QuiltCon once) about how to think outside the lines. On the left, last night’s attempt. On the right, this morning’s. I just worry that it may all obscure the center floating square. And what color of thread? I try never to start with my first ideas, but let them jell a bit.

I received this amaryllis from a friend for Christmas, and on the left is how it looked when it bloomed in December. On the right, is the flower now, nearly DOUBLE the height. Is it because it’s a low-light window? When it is on the countertop, it’s taller than I am now and almost taller than my husband. Should I stop watering it? Let it go dormant? Does this blooming ever stop? I’m looking for tips from all the amaryllis experts out there.

And it’s awards season so we get to see what all the stylists dress their clients in, as well as see Fashion Week’s street fashions, as well as things that in the shows. Mostly, I think: “There’s no way I could ever wear this!” And the Fashion Person replies, “Made you look.” Although I do like some elements of all the fashion shots above, remember, they are highly curated. By me.

That pocket is black check, sewn on in a non-factory method, on a navy-checked shirt. I think Dad sewed it on at one point, because his shirt didn’t have a pocket. Or he took it to a terrible place that had terrible machines. And where did he get the square of fabric? (He was highly resourceful, all the time.) I only took two shirts from his closet when we cleaned out, and we donated the rest to a group at the local university who lets students “shop” from the selection to look spiffed up for interviews, etc. I am pretty sure they wouldn’t be needing this one, or another worn one. I cut off collars/cuffs/buttonplackets and will use them in a project I have in mind. In the background are couple of my husband’s old shirts, too. Now if I could just find the bag with the other blocks from this Project I Have In Mind, I’d be really happy.

I have since distributed these, but I also brought home his paintbrushes. Several members of my family wanted some, and it’s nice to know he’ll be thought of, whether they are put to use, or tucked into a pencil cup. All of this is a way to re-integrate parts of my life together.

I had been feeling this way, for a bit too long. (I’m going to start calling things on my To Do List “Mysterious Activities.”) But this week I had a whole free day without anything scheduled and pushed forward on several fronts (like finishing the appliqué at the top of this post). And a quilt showed up from my quilter:

Halfway there on getting the binding on my 2023 Temperature Quilt. I am aiming to finish it by February 29th because how cool to finish a quilt on Leap Day, right?

And the last thing in What I Dragged Home from my Parents’ House Category is this reading stand. No, I didn’t get it from the parents, but it has to do with them. I borrowed my mother’s journals back from my niece and am slowly reading them. Having this, helps.

Almost done here, hang on. This is the set of trees, made for the Gridster Bee, for February. It’s from someone’s pattern, but it kind of drove me nuts, because…the center seam on the tree. (Why?) But the game in online Bees is they choose the block they want. And we make them one, or two…or three.

I went to pick up my friend to take her to her Birthday Lunch, and this gorgeous hibiscus was blooming in the rain on her front patio. Couldn’t resist snapping a photo.

And even though it’s still February, I have already put out March’s St. Patrick’s Day girl, because right before that holiday is the Dreaded Daylight Savings Time Shift on March 10th (hate it because I like morning light, and NO, DST doesn’t give you “more light”), and right after THAT ignominious day, we will have St. Patrick’s Day, then dance in our gardens for the First Day of Spring (March 19th), and and then after that we drag out the bunnies and eggs and stuff for Easter, which is the last Sunday of March. Couldn’t we have spaced these out a little more?

Happy Whatever!