300 Quilts · New York Beauties · Patterns by Elizabeth of OPQuilt

New York Beauties: Old Friend

New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy is finished.

I cut the yellow borders 5 1/4″ because I couldn’t decide between 5″ or 5-and-a-half-inches. So many seams! I found it easier to lift up the seams on the outside curves, and not sew those down. When I couldn’t do that, oh well.

This view always appeals to me: New York Beauties stained-glass. I put it up after our dinner, and waited for the sun to go down, for that golden hour.

Now it will go away for a while to quilting purgatory, as I’ve decided to quilt it myself and I’ve got two in line ahead of it.

As it has hung up on my design wall for the last little bit, I’m kind of in love with it. Yes, I can see all the flaws, but I can also see all the beauty. My sister posits that the spikey part of the design might have been inspired by this lady:

This, from a project in my very first digital art class, long long ago. I looked up the block origins and the sources are crickets on where it started, but, that crown! I’m going to go with my sister’s idea, I think.

I had to design/make one more block to get this quilt top to gel. Here it is, a freebie:

You’ll need to download the other free block, Wild Sunflower, to get that outer corner piece. I just couldn’t cram one more piece in here, and I knew you are all resourceful and can figure out how to go to the Main New York Beauties page, or if that fails, head to my pattern shop where I sell the full pattern, if you want to start a relationship with your New York Beauties quilt. But take it slowly at first, while you get your sea legs. For it was Shakespeare himself who noted that “To climb steep hills / Requires slow pace at first” (Henry VIII, Act I, Scene 2, Line 128). On that New York Beauties tab are lots of posts, with lots of tips and hints. One a month might be a good rhythm at first, but towards the end you may want to speed it up. You know how it goes.

There were times I didn’t think I’d ever finish this. Learning how to make it with freezer paper speeded up the process, but so many seams. So many pieces. But what a lovely outcome, hanging from my wisteria vines on a sultry summer evening. This photo shoot took a while, and I savored every minute. I’ve worked with this quilt for a long while, and we’ve become companionable. As I’ve read other people’s blogs, I have noticed this feeling with their long-term quilts. Yes, fast quilts are fun, but there’s something about spending time with one project over many months, savoring the stitches.

Happy Summer’s Eve, everyone.


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10 thoughts on “New York Beauties: Old Friend

  1. The stained-glass view makes me want to see the finished quilt that way. But of course we’d have to make an actual stained-glass quilt to have the finished one look that way. I’ve seen NYB done with tiny black borders, but I’m NOT going there!

  2. I feel so much affection for my long term quilts. I think they also define a time in your life. My Sacajawea is of Cleveland as my Farmers Wife is of Boston and South Carolina.
    Elizabeth, this one’s a masterpiece and even more so coming from a time of upheaval in your life. Every bit as beautiful as its namesake.

  3. It’s a real beauty Elizabeth! I can only imagine the bulk in some of those seams and the wrestling to get them together. I like your sister’s notion of the origin relating to the the Statue of Liberty. It really fits. Maybe that’s the name….”Liberty”

  4. What a labor of love! What a piece of art! I was intrigued by your companionship with the quilt you have worked on so long. Loved the stained glass view of a summer’s eve. Congratulations!

  5. She is just beautiful, Elizabeth, and I can totally identify with your closeness. I suspect it will be especially sweet when you reunite!

  6. Elizabeth this NYB has to be the most gorgeous flimsy I’ve seen this year. It really is my favourite. I love the “stained glass” photos. Thank you for sharing the journey to a finished flimsy with all of us.

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