Quilts

Colorwheel Blossom–Blogger’s Quilt Festival

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Colorwheel Blossom, 48″ square

AmysCreativeSide.com

Welcome to the Blogger’s Quilt Festival!  I’m entering ColorWheel Blossom in the ROYGBIV category of Amy’s online contest.

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Colorwheel Blossom_quilting

 The original finished blog post is *here.*

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It took me forever to find the right colors for the center of the blossom, and I haunted several quilt show booths, combing through their Kona Cottons to find just the right shades, then visited Purl Soho–Irvine to get the right inner petal shades.  I appliquéd it to the white background, and then it took me several months to get up the courage to quilt this.  I settled on a curvilinear emphasis in the middle field and an angular emphasis in the borders.

It now hangs in our hallway right by the front door, a rainbow greeting all our guests, lighting up our home.

Thanks for stopping by to see Colorwheel Blossom. Be sure to head back to Amy’s Blogger’s Festival to see the rest of the quilts, and to vote for your favorites!  Voting begins May 22nd for each category, as well as Viewer’s Choice.

Quilts

Pineapples and Crowns

Gazebo with two quilts

Pineapples and Crowns_front iphone

Pineapples and Crowns
Pieced, Appliquéd and Quilted
61″ square
No. 145 on my 200 Quilts List

Looking up into the cupola

Pineapples and Crowns_labelThe pineapple blocks were pieced by two different bees and I over six months: the Mid-Century Modern Bee and the Always Bee Learning Bee.

Pineapples and Crowns_lounging around

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Pineapples and Crowns_signature blocksI had forgotten to piece all the signature blocks into the backing from Mid-Century Modern Bee, so I just kind of swooped them onto the back.  While they may look a bit unusual, I figure the back of my quilt is like looking in my clothes closet–no one will see it but me–and this way I won’t lose these precious tiny blocks.  I wish I had a signature block from the other piecers of the blocks, but that bee didn’t do them, and that bee is now scattered.

Pineapples and Crowns_detail1The background is a series of petite prints on a white or creamy colored ground–no beiges or grays to muddy the clarity of the colors–and is a contrast to the solids of the pineapple steps and the crown petals.

Pineapples and Crowns_detail2I quilted this quilt over a week, using seven and a half bobbins, in a free-swirling pattern, outlining the leaves and stems in the border.  I got the idea for my border from the masters of borders, the Piece O’ Cake ladies, but varied it somewhat to fit what I needed.  I was interviewed for an article on quilting last week, and I noted that if we think we are making something original, we are slightly delusional.  Actually I wanted to say we are straight-up delusional, for everything comes from somewhere else, but I qualified it so quilters wouldn’t have their feelings hurt.  The idea, I think, is to make that snippet of influence new for you.

Mark Ronson, the well-known DJ-record producer, noted  in his TED talk  that we are all sampling from everyone else, sampling being his word for when recording artists slip in a line or two from someone else’s recorded song to bring a texture or a reference to the work that has gone before (cue at 6:15 for his discussion).  So you might say I sampled some early pioneer in the use of her pineapple block and the Piece O’Cake ladies for the border, and both of these were probably sampled from somewhere else, somewhere.  I feel richer for being a part of this quilting universe, with good ideas slipping in from places beyond.

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Yes, you did a notice another quilt in that first photo.  Stay tuned.

These photos were taken in our local university’s botanic garden, in the gazebo near the iris section, overlooking the creek gully.  It’s a very old gazebo and I fully expect that one day I’ll arrive with my quilts and it will be gone. Until then, it will be sampled into my photos, my coda on the making of a quilt.

Quilts

Elizabeth’s Lollypop Trees-Final Photos

Elizabeth's Lollypop Tree Quilt_5I wanted to take some final photos of my Lollypop Trees quilt, partly because I didn’t feel like I’d done an adequate job posting about it when I had finished it (and did worry about overkill in writing about it).  But in writing this post, and taking some final photographs, I also wanted to think about it again, to interact with it.

Elizabeth's Lollypop Tree Quilt_3This quilt had been a part of my life for three years, and I worked on it fairly constantly, with a all-out blitz of quilting at the end.

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Quite frankly, it may be one of the best creative works I ever make, and I didn’t want to rush by it in a hurry.  So I pulled it out again, and photographed each block (see tab above for close-ups) and spent one pleasant afternoon hour in our local university’s Botanic Gardens, pinning it up, draping it over benches, finding that place that would make me satisfied, and would do the quilt justice.

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The gardener at the Botanic Gardens even stopped and sat on a nearby bench, watching me drape the quilt, I’m sure partly to see my reaction if I would drop it into the stream below.  I didn’t, keeping a good grip on it while I binder-clipped it into place.

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I used to walk over this bridge when I went to school here, first getting my undergraduate degree, and less often, when I was working on my graduate degree.  I felt like I was revisiting a crossroads sort of place where I had existed as a younger woman, all full of spit and polish and fire and vigor.  Today, with the heat nudging up to 90, I felt more spent, less sure of myself even though I am several years past that point when I used to bring my lunch and sit on one of the benches.  Often my husband, himself new to this university, would walk up from his office and join me.

Elizabeth's Lollypop Tree Quilt_1

We’d sit on one of these benches, always planning to buy one for the university if ever either of us should pass on, with the inscription: “Elizabeth and Dave loved this garden,” — an idea which seemed light years into the future.  Less so, now.

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I walked up the hill past the lath house shielding plants from our hot Southern California sun, past the rose garden, up through the arbor. Just past the iris patch I found this gazebo.  Like a bride in her glory, I arrayed the quilt, primping and draping and spreading out the bouquet of appliquéd flowers.

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Sunlight illuminated the quilt from the back, a bee settled in to buzz around my head, and a slight breeze blew the quilt to and fro. . . time to go.

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There is an old saying that goes something like this: “When the house is finished, the man dies.”  I don’t think that applies to me, finishing this quilt, but there is something of a finality when a quilt that has extracted lots of creative energy is finished.  It’s an ending, with the quilt becoming its own memorial, its own momento mori of that three years of my life, gone and never to be seen again.

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I fold up the quilt, dodge that bee one more time, and head down the through the shaded gardens.

 

Quilts

Working on My Stuff

Magazine

My first issue of Uppercase magazine arrived.  It’s on my nightstand and I can hardly wait.

Center Colors

I also took a trip to Purl Soho-West Coast (in Orange County, California) where I picked up some more solid fabrics for the inner petals on that soon-to-be-renamed Rainbow Petals quilt.  I appliquéd on three of the petals the other night while my husband and I watched the latest Star Trek movie, and added another petal during the our local quilt guild meeting.

Now that Downton Abbey’s over, I need to make time to sew.  Maybe I should rewatch parts of it, so I can get this finished?