200 Quilts · Four-in-Art · Quilts

Structure: Four-in-Art Art Quilt, February 2014

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On Line Art Quilt_front1

On Line
No. 2 in the Urban Series: Structure

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Leanne asked us to consider the theme of Structure for this challenge.  While other ideas teased, the vision of these immense structures of steel and wire kept haunting me.

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My husband and I got off the freeway to follow a few, photographing their massive, yet airy, construction reaching high into the sky, grabbing a line and passing it to their fellow tower.

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It made me think about structure in terms of how electricity — and their cousin, the telephone line — have created their own structure in our lives.  We used to depend on mail, human contact, driving somewhere, but now we email, Instagram, Facebook, Skype, and need scads and scads of voltage to do it all.  The structure of our lives has changed.

Baby Envelope Quilt

I had hoped to make a quilt of tiny envelopes, distress them somehow, then superimpose the grand power scaffolding on top of that, representing the change in communication.  It was not meant to be.

On Line in construction2

I printed out the upwards view of the tower, intrigued by its criss-crossing lines, then proceeded to sew together a billion little angular pieces.  I kept thinking how proud of me Leanne would be, as she is the queen of improv quilting.

On Line quilt in construction2a

As I completed a section, I’d lay it out.

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Done, but it was a bit small, so I added a border.

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I’m showing it from the back, as I’m mighty proud of those billions of seams.

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I chose a variegated thread and quilted where I wanted to.  Maybe those scribbled lines in the border are conversations?  Or interrupted code from a blog post?  Or the news from a family member, broken into bits and pieces as it is transmitted?  The fabric is scraps from my most recent quilt, Amish With a Twist Two, perhaps because I wanted to work with line and not pattern (and certainly with all the weeny subdivisions, there is plenty of pattern) but also because the sack of scraps had not been put away yet.

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I like this photo because the leaves and berries of the bush behind this tree call out the color in the quilt.

On Line Art Quilt by PwrBox

Posing with its soul mates: the telephone box and the power meter.

On Line Art Quilt _back

I had planned to piece all the little envelopes together and put them on the back, but I decided that with all the seaming, the quilt would be one gigantic lumpy square.  Plain backing then, from the Collage line of fabric, and then added the label.  That morning nothing would go right, so it’s on and done; not perfect, but sometimes that’s just how it has to be.

On Line art quilt with picture

I owe my associations in this Four-in-Art group to these very structures, long looping lines bringing me quilting and friendship.

Take a look at how our group interpreted this theme:

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CODA

printed out power tower
Since I wrote about how I made it, I won’t be doing a “deconstructed” post for this quilt.  And when I hear what the new theme is for May, I’ll let you know.  As usual, there was some amount of frustration over this quilt–deadline crept up on me, a “why am I doing this to myself?” moan (or two), and then the getting down to it.
Teresa Amabile said “Creativity depends on a number of things: experience, including knowledge and technical skills; talent; an ability to think in new ways; and the capacity to push through uncreative dry spells.”  At the end, I’m always glad I pushed through any dry spell to arrive at the finished Four-in-Art art quilt.
200 Quilts · Quilts

Silver and Gold Friendship Quilt

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Silver and Gold
The Toni Jones Quilt
finished December 2013

Toni Jones moved into the house up the cul-de-sac from mine, a welcome addition to our neighborhood.  With her six children to my four, our houses were jumping when we got together, and we did that a lot.  Her mother lived with them, and the three of us women got along famously. One late summer day,  Toni gave me a jar of her homemade pickles, made from her mother’s recipe and which used grape leaves as the secret ingredient.  As a pickle lover, I thought I was in heaven and still have her recipe in my file, although I have never made them (grape leaves are not easy to come by).

We because close friends very quickly, as we tried to sort out the three main things that concern young mothers: will our children grow up to be good citizens?  how do we manage our marriages? and how can I lose this weight?  The first is a universal, the second was harder for me, and the third was harder for her.  Too soon, my husband took another job and moved us to California, where the marriage finally cracked apart, and we divorced.  Toni moved to a town further south of our Texas meeting place, got a job driving a bus to help out with finances and our letters and phone calls still resonated with the three questions, occasionally adding in a few more thorny conundrums, such as: will I ever marry again (mine), will we ever feel happy inside (both of ours), and can I clone myself to get everything done?

Then I fell in love, married and moved to Southern California.  She and her husband, mother and family moved back to the Midwest from where they’d first moved.  That fall I received a lovely letter from Toni.  She was noticeably slimmer, posed in a family portrait with her husband and children surrounding her like bright satellites.  She was all heart, that girl.  Her letter glowed with satisfaction: she loved the Midwest, happy to be “home” again, and everyone was doing well.  And yes, she’d canned some pickles and wished she could share.

I sent off my Christmas card in 2004, adding a scrawled a note and busied myself with preparations.  Shortly after the holiday, instead of her usual Christmas card, I received a letter from her husband.  He wrote that just before Christmas, Toni and her mother had been killed in a head-on collision on an icy road.  By the time the accident was discovered, they were both gone.  The news was stark, severe, sucking the breath right out of me.

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Toni was the first woman close to me that had left too soon, and I resolved to capture all my friends, those who were close relatives, women who had mentored me.  I decided to make a quilt with everyone’s signature, my own memorial to Toni and to my friendships.

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So many lived far away, so I ironed fabric to freezer paper, enclosed a letter giving instructions to sign the square in pencil, and included a self-addressed stamped envelope so I’d get them back.  Most did.  Other times, I carted my squares with me to family reunions, to church, to a therapist’s office, to quilt group, as I had made a list of women I needed and began checking off the names as  the squares grew.  Not all of my close friends are included, as I decided to limit it to a time frame, otherwise I’d never be done.

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I gathered up all my granddaughters’ names this fall, and made them squares.

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My mother, Barbara, and my daughter, named for my mother, are kitty-corner from each other.

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I took the quilt to my quilter a week before Christmas and she turned it around quickly, so I could show my granddaughters when they came to visit.  Emilee, the oldest daughter of my son, beamed brightly when I showed her the square with her name on it.  Brooke, the four-year-old, wanted to sign another one, but I’ve left two blank in case my last son has daughters.

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I had purchased the backing when I bought all the fabrics for the quilt, so it came together quickly.  I felt some urgency to finish it off, as this Christmas we celebrated my 60th birthday (it’s really not until January, but all the children were in town, so we did it early).  I hesitate to say the number, because I remember being thirty and thinking that sixty was the kind of number where people were shipped off to Old Folks’ Homes, fitted with canes, walkers and rocking chairs and consigned to a life of reminiscence.  But I am young in my mind (although sometimes the body doesn’t get the memo) and want to celebrate what I’ve learned and the people who have touched my life, providing instruction, guidance and a listening ear at critical junctures in my life.

So, with this quilt, I remember Toni.

With this quilt, I celebrate a lifetime of women.

˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚

This is Quilt #126 on my 200 Quilts List.

FinishALong Button

It is also a quilt from the 2013 FAL Quarter 4, hosted by Leanne, of She Can Quilt.

200 Quilts · Quilts

Santa Claus Has Come To Town!

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Jolly Old St. Nicholas
Finished December 2013

Doesn’t Santa arrive on the 24th?  Well, we just made it in time, over here.

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I started this in late September of this year, and finished it early this morning.  It’s done enough for display, but I want to go in after the rush is over and add some detail quilting here and there.  Okay, and maybe re-do a square or two, but really, I’m pretty happy with how things turned out.

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The back, with my beemates’ signature blocks along one side.  They made the green/white large patchwork blocks.

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This shot, in the shade, shows some of the quilting.  Each level is slightly different, and each block is different.

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Merry Christmas, everyone!

˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙

This is Quilt #125 on my 200 Quilts List.

FinishALong Button

It’s also one of my Fourth Quarter FAL Finishes, hosted by Leanne, of She Can Quilt.

200 Quilts · Creating · Quilts

‘Twas the Week Before Christmas

Well.  Almost the last week before Christmas (ten days to go, says the Advent Calendar on our fridge).

Dec MCM Bee Blocks

Given that I’ve been >>sick<< with ick and asthma and blah for too long, and that I have TONS of stuff to do, I leapt into action and made my bee blocks for December for Mary at Molly Flanders.  I mean, that is the prudent thing to do, right?

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It was actually quite restorative working with old-fashioned prints and calming neutrals.  A whole lot more fun than trying to get the last of the Christmas decorations up (but I did finish them today, thank you very much).  I enjoyed the process.  One thing that our bee does, which I like, is that we make each other a signature block with our name, our blog name and our location and send it along with the blocks.  I have a row of signature blocks on the back of my Santa quilt (which has been idling all these past couple of weeks on my sewing room floor while I have graded and rested) which makes me smile when I see them.

Blocks all done

And maybe it’s because I have signatures on my brain.  Here are all the blocks for my signature quilt put up on my pin wall. They lack the sashing and the borders, but what fun to see a flower garden of my friends!

Mistake on block

Whoops.  I had to fix one of them.  Mind you, that block has been like that for nearly eight years, and I’m just now noticing it. What’s fun about working with signature blocks is that you think about the person who’s name you are holding.  Kendy would have a fit if her block were wrong, as she was always perfectly put together and perfectly modulated in all comportment.  (Look it up–I kid you not.)

Tracing Toni's NameI had one more signature that I had to get, and I couldn’t just contact her and get it lickety-split (more on Toni in a later post).  So I found her Christmas card from a few years back, enlarged her signature and traced it onto a prepared fabric square (a square of fabric that had freezer paper ironed to the back of it).

Toni's Block

Toni’s square, all bordered in greens.  She would be pleased.

Often at Christmas, all the relatives gather, or we go to their houses.  If you want to start a signature quilt, have a stack of squares ready for them to sign.  Choose a block with a wide open space for writing, and a simple frame for that signature.  Then cut the center square about an inch larger than you’ll need it, back it with freezer paper.  I drew the 4″ center square directly onto the freezer paper, so that it would show through and give people an idea of their boundaries.

I used a Micron .05 pen for people to sign their names.  Those who I couldn’t get (who lived too far away), I sent the block to them and had them write their name lightly, but legibly with pencil, and then I traced it in the Micron pen when it came back to me (I included a SASE so the blocks would come back).  I only had one that never returned to me, but then that woman get could get her dander up quickly, and she carried a grudge longer than anyone I’ve ever seen.  She was still wonderful to me, though, and I loved her.  I’m sorry she didn’t return the square.

Yes, all this quilt is women.  Relatives, friends, mentors, and the latest batch of my granddaughters.  At some point, I realized I had to cut off the additions, otherwise it would never be done.  So, with the exception of my granddaughters, I stopped adding, even though there are still people who are important to me without their names on my quilt blocks.  I love looking at it.  I drop it at the quilter tomorrow, and since my granddaughters are coming for Christmas, she has promised to have it done by the 23rd.  (I’ve already made the binding!)

Why did I start this?  Because of Toni.  I’ll tell you more about Toni, and why she was the inspiration for this quilt in another post–probably after Christmas, after all the company’s gone home!